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From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
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Poética, documento, memória: Ballet, de Brodovitch / Carneiro, João
Carneiro, João, «Poética, documento, memória: Ballet, de Brodovitch». Sinais de Cena, 15, , (2011), pp. 86-88
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Imagens no feminino / Brilhante, Maria João
Brilhante, Maria João, «Imagens no feminino». Sinais de Cena, 21, , (2014), pp. 23-36
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José Marques (1924‑2012) Profissão: fotógrafo de cena / Figueiredo, Filipe; Magalhães, Paula Gomes
Figueiredo, Filipe; Magalhães, Paula Gomes, «José Marques (1924‑2012) Profissão: fotógrafo de cena». Sinais de Cena, , IV, (2020), pp. 219-239
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Presence in absentia. Experiencing Performance as Documentation / Jones, Amelia
Jones, Amelia, «Presence in absentia. Experiencing Performance as Documentation». Art Journal, 56, 4, (1997), pp. 11
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Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen
Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10, 11, (1998), pp. 17-32
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Still Moving: The Revelation or Representation of Dance in Still Photography / Reason, Matthew
Reason, Matthew, «Still Moving: The Revelation or Representation of Dance in Still Photography». Dance Research Journal, 35/36, 01, (2003), pp. 43-67
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Photography as a Witness of Theatre / Dondero, Maria Giulia
Dondero, Maria Giulia, «Photography as a Witness of Theatre». Recherches sémiotiques, 28, 1-2, (2008), pp. 43-57
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O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)
Figueiredo, Filipe, «O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)». Dissertação de Doutoramento em Estudos Artísticos, ramo de Estudos de Teatro, Universidade de Lisboa, Lisboa 2015 Abstract O presente estudo tem com objecto a produção de fotografia de teatro em Portugal entre 1868, data das primeiras fotografias, em série, associadas a uma determinada peça, e 1974, que corresponde, simultaneamente, à extinção da companhia Rey Colaço-Robles Monteiro (RC-RM) e ao fim do regime do Estado Novo. Neste contexto histórico, de aproximadamente cem anos, identificam-se as mais significativas práticas da fotografia de teatro, a partir de um vasto trabalho de levantamento e de sistematização de imagens…
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Framing Brecht: Photography and Experiment in the Modellbuecher, “Arbeitsjournale”, and “Kriegsfibel”
Imbrigotta, Kristopher, «Framing Brecht: Photography and Experiment in the Modellbuecher, “Arbeitsjournale”, and “Kriegsfibel”». Ph.D., , Ann Arbor, United States 2013 Abstract Theater is not just a visual art form but also a performative and interactive one. Bertolt Brecht (1898-1956) developed an innovative theater aesthetic that engaged in distinct ways with visual imagery—especially photographs. These images were vital to both the performance aspect and dramaturgical reception of his craft. Photographs figure significantly in his prose and poetry as well as his essayistic work. While scholars have devoted attention to Brecht’s films and his work in other experimental media, few have addressed the fundamental questions I investigate: How does Brecht employ photography…
