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Luz Negra. Fotografia e teatro em Italia (1946-2018)
Chiarelli, Cosimo, Luz Negra. Fotografia e teatro em Italia (1946-2018), Museu National do Teatro e da Danca, 2018 Abstract Other data Number of pages: 60 ISBN: 972-776-523-8 ISSN: DOI: URL: Language: Portoghese key: UIHE2F88
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Per antiche vie. La giornata libera di un fotografo
Buscarino, Maurizio, Per antiche vie. La giornata libera di un fotografo, Leonardo arte, Milano 2001 Abstract Other data Number of pages: 280 ISBN: ISSN: DOI: URL: Language: IT key: 2ZVX5ITB
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Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder
Pereira, Anabela, Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder, in Vicente, Gustavo, Intensified Bodies from the Performing Arts in Portugal, Peter Lang, Bern, Switzerland 2017, pp. 229-266
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Il cerchio dei frammenti. Il corpo nella fotografia di Vasco Ascolini
Murazzo, Gianna, «Il cerchio dei frammenti. Il corpo nella fotografia di Vasco Ascolini». , Università degli Studi di Siena. Facoltà di Lettere e Filosofia di Arezzo. Corso di Laurea in Musica e spettacolo, Arezzo 2006 Abstract Other data Number of pages: 146 ISBN: ISSN: DOI: URL: Language: IT key: RBSALHRK
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Gli spettacoli del Piccolo Teatro nelle fotografie di scena di Luigi Ciminaghi
Baldini, Paola, «Gli spettacoli del Piccolo Teatro nelle fotografie di scena di Luigi Ciminaghi». , Università degli Studi di Siena. Facoltà di Lettere e Filosofia, 1999 Abstract Other data Number of pages: 170 ISBN: ISSN: DOI: URL: Language: IT key: Q55BG67X
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Circulating the event: the social life of performance documentation, 1965–1975
Santone, Jessica Lynne, «Circulating the event: the social life of performance documentation, 1965–1975». Ph.D., , Ann Arbor, United States 2011 Abstract This dissertation reevaluates the relationship between performance acts and documents by considering the way documentation was understood within the time of an event. Expanding on Alain Badiou’s theory of evental ‘Twoness’ in Being and Event, I develop an approach to performance that always takes documents and performance acts together, as corresponding producers of an art event. Looking at acts and documents together, one notices how the type of repetition enacted between them allows for variation and novelty in an event. One important implication of this approach is a stronger…
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The Focal Press Companion to the Constructed Image in Contemporary Photography
Shindelman, Marni; Massoni, Anne Leighton, The Focal Press Companion to the Constructed Image in Contemporary Photography, Routledge, 2018 Abstract This compendiumexamines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing Other data Number of pages: ISBN: 978-1-315-64780-7 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9781315647807 Language: EN key: FH47HVL4
