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Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition / Barnden, Sally
Barnden, Sally, «Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition». Theatre Journal, 69, 4, (2017), pp. 555-571
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Staging visibilities: Stanislavsky’s system, photography, and epistemologies of the body, 1870–1938
Kairschner, Shawn Travis, «Staging visibilities: Stanislavsky’s system, photography, and epistemologies of the body, 1870–1938». Ph.D., , Ann Arbor, United States 2007 Abstract This dissertation locates turn of the century acting techniques within a set of diagnostic discourses that strive to convert the body’s visible surfaces into legible signs of invisible psychic interiority. To facilitate the reading of somatic surfaces, these discourses deployed photographic imaging technologies capable of rendering the surface of the body transparent. I argue that the period’s foremost theater artists, notably Andre Antoine and Konstantin Stanislavsky, applied “photographic” diagnostics to their rehearsal processes and acting systems. These figures developed hermeneutic strategies that enabled actors, during rehearsals, to extrapolate…
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I fotografi della Duse / Zannier, Italo
Zannier, Italo, «I fotografi della Duse». , , , (2001), pp. 1-5
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La photographie au théâtre, XIXe-XXIe siècles
Joinnault, Brigitte, La photographie au théâtre, XIXe-XXIe siècles, Presses universitaires du Septentrion, Villeneuve d’Ascq 2021 Abstract La Photographie au théâtre proves that theatrical aesthetics have never ceased, for nearly 150 years, to be deeply influenced by the very existence of the photographic media, with its apparatus, its production processes, the flow of its images, its uses and techniques.,La Photographie au théâtre montre que les esthétiques et les imaginaires théâtraux ne cessent, depuis près de cent cinquante ans, d’être profondément travaillés par la photographie, avec ses techniques, ses appareils, ses processus de production, ses images, leurs usages et leurs circulations. Au fil de réflexions théoriques, d’analyses d’archives du dix-neuvième et de…
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Il teatro in fotografia: l’immagine della prima attrice italiana fra Otto e Novecento
Zannoni, Marianna, Il teatro in fotografia: l’immagine della prima attrice italiana fra Otto e Novecento, Titivillus, Corazzano (Pisa) 2018 Abstract Other data Number of pages: 245 ISBN: 978-88-7218-436-3 ISSN: DOI: URL: Language: IT key: 2MSNZT8R
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Donna «La belle époque». Nella sala di posa Alinari
Bignardi, Irene; Vannucci, Marcello; Sesti, EmanuelaMalandrini, Ferruccio; Fratelli Alinari, Donna «La belle époque». Nella sala di posa Alinari, Alinari IDEA, Firenze 1988 Abstract Other data Number of pages: 117 ISBN: 88-7292-144-9 ISSN: DOI: URL: Language: IT key: GATYIQ2N
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Fotografia e teatralità: atti della giornata di studi San Miniato 21 ottobre 2006
Agus, Massimo; Chiarelli, Cosimo, Fotografia e teatralità: atti della giornata di studi San Miniato 21 ottobre 2006, Titivillus, Pisa 2007 Abstract Photography and theatre represent two distinct yet closely neighboring worlds. They live in a perennial state of contradiction: the theatre, which is consumed in its making and is renewed with each performance, in photography seems to deny its profound transitory nature; when photography appears in the space of the theatre, it betrays its vocation to reality, and becomes contaminated with fiction. Yet, beyond this apparent irreconcilability, or perhaps thanks to it, thetre and photography have, throughout history, formed a dense, problematic but extremely rich in stimuli and applications relationship…
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Resisting Arrest. Imagining Motion in Film and Photography
Hornby, Louise, Resisting Arrest. Imagining Motion in Film and Photography, in , Still modernism: photography, literature, film, Oxford University Press, New York, NY 2017, pp.
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Reflexões sobre os primórdios da fotografia de teatro em Portugal
Figueiredo, Filipe, Reflexões sobre os primórdios da fotografia de teatro em Portugal, in Brilhante, Maria João; Figueiredo, Filipe; Magalhães, Paula, Teatro e Imagens, Colibri / Centro de Estudos de Teatro - Faculdade de Letras da Universidade de Lisboa, Lisboa 2011, pp. 85-98
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L’héroïsme par l’image : Sarah Bernhardt et Eleonora Duse entre vie et théâtre
Guardenti, Renzo, L’héroïsme par l’image : Sarah Bernhardt et Eleonora Duse entre vie et théâtre, in Bara, Olivier; Pellois, Anne; Losco-Lena, Mireille, Les Héroïsmes de l’acteur au XIXe siècle, Presses Universitaires de Lyon, Lyon 2014, pp. 217-230