Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Performed Photography

    Becoming-one; A Duologue in Practice / Waeckerle, Emmanuelle; Vason, Manuel

    Waeckerle, Emmanuelle; Vason, Manuel, «Becoming-one; A Duologue in Practice». Photography and Culture, 11,  2, (2018), pp. 169-180

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  • Performed Photography

    Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel

    Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24,  2, (2009), pp. 97-106

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  • Stage Photography

    Getting it Right … Zooming Closer / Athey, Ron

    Athey, Ron, «Getting it Right … Zooming Closer». Art Journal, 70,  3, (2011), pp. 38-40

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  • Performed Photography

    The PhotoPerformer : The Performance of Photography as an Act of Precarious Interdependency

    Vason, Manuel, «The PhotoPerformer : The Performance of Photography as an Act of Precarious Interdependency». PhD Thesis, Brighton University, 2019 Abstract This PhD by Publication explores Manuel Vason’s art practice at the intersections of photography and performance culminating in his development of the PhotoPerformer. Vason formulates the interdependency between the two art forms as a reflexive collaboration with the Other and as an evolving methodology which leads to a collaborative transformation of photography through performance. Vason questions the fixity of photography – symbolized by ‘the frame’ – as an ideological dispositive of power and control that distances subject and object and enforces a unique, absolute and finished perspective. Considering photography…

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