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Théatralité: Analyse d’une notion critique à travers trois média et époques (roman, peinture et cinéma aux XVIIIe, XIXe et XXe siècles)
Polanz, Dorothee, «Théatralité: Analyse d’une notion critique à travers trois média et époques (roman, peinture et cinéma aux XVIIIe, XIXe et XXe siècles)». Ph.D., , Ann Arbor, United States 2010 Abstract I argue that the notion of “theatricality,” though it has been frequently used as an interpretive tool in critical discourse on various artistic and literary forms (novels, poetry, painting, fashion, film, etc.) remains ill defined. Moreover, it appears obvious that theatricality does not, in fact, manifest itself in the same way in all genres and media where critics attempt to use it as an interpretive tool. A double question thus informs my research: how legitimate is the use of…
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Gli spettacoli del Piccolo Teatro nelle fotografie di scena di Luigi Ciminaghi
Baldini, Paola, «Gli spettacoli del Piccolo Teatro nelle fotografie di scena di Luigi Ciminaghi». , Università degli Studi di Siena. Facoltà di Lettere e Filosofia, 1999 Abstract Other data Number of pages: 170 ISBN: ISSN: DOI: URL: Language: IT key: Q55BG67X
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Regenerating the Live: The Archive as the Genesis of a Performance Practice
Dunne-Howrie, Dr Joseph, «Regenerating the Live: The Archive as the Genesis of a Performance Practice». , , Abstract My PhD thesis examines how a performance that integrates documentation into it’s dramatrugy can engender a type of participation that stretches the theatrical event into an open-ended discourse between audiences. Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.academia.edu/15029631/Regenerating_the_Live_The_Archive_as_the_Genesis_of_a_Performance_Practice Language: EN key: 6DTZWQG6
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Mediated Presence: Performance Art and Technology
Khalifeh, Soulaf, «Mediated Presence: Performance Art and Technology». , , Abstract The whole tendency of modern communication whether in the press, in advertising or in the high arts is towards participation in a process, rather than the apprehension of concepts. And this major revolution, intimately linked to technology, is one whose consequences have not begun to be studied although they have begun to be felt.” Recalling McLuhan’s words, this paper is an attempt to study the effects and consequences of technology and how it allowed performance artists greater flexibility in experimenting with space, time and representation, engaging in a social and institutional critique. The pertinent questions here are: how are…
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La photographie de théâtre en France depouis 1945
Meyer-Plantureux, Chantal, «La photographie de théâtre en France depouis 1945». , Paris III – Sorbonne, Paris 1989 Abstract La date de 1945, choisie comme point de depart de cette these, correspond a la naissance en france de ce que l’on pourrait appeler la photographie de mise en scene par opposition au portrait d’acteur qui representait la majeure partie de la production photographique ayant trait au theatre. Avec pres d’un demi-siecle de retard, la photographie de theatre, sous l’impulsion de roger pic, prenait enfin en compte l’avenement de la mise en scene. Trois grands courants se degagent entre 1945 et nos jours : celui des “photographes-historiens” qui se veulent des enregistreurs…
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Fotografia performática: encenação e presença na ação fotográfica
Wanderley, Olga, «Fotografia performática: encenação e presença na ação fotográfica». Dissertação de Mestrado, , Recife (Brasil) Abstract Esta pesquisa aborda as interseções entre a fotografia e a arte performática. Interessa-nos compreender os deslocamentos implicados à linguagem da performance ao incorporar o dispositivo fotográfico, seja como mecanismo de registro e geração de Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.academia.edu/38010544/Fotografia_perform%C3%A1tica_encena%C3%A7%C3%A3o_e_presen%C3%A7a_na_a%C3%A7%C3%A3o_fotogr%C3%A1fica Language: PT key: C8QBHSQP
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Imagens de Gretta Sarfaty: fotografia, performance e gênero
Dimambro, Nadiesda, «Imagens de Gretta Sarfaty: fotografia, performance e gênero». Dissertação de Mestrado – MAC USP, Universidade de São Paolo, 2018 Abstract Esta pesquisa debruça-se sobre o acervo de arte conceitual do mac-usp, mais especificamente sobre as obras da artista Gretta Sarfaty (1947) entre os anos de 1975 e 1980. As fotografias e performances experimentais da artistas são compreendidas e analisadas à luz da crítica de arte feminista, propondo conexões com os contextos nacionais e internacionais. Em tempos de ditadura militar, Gretta Sarfaty explora os limites do corpo, engendrando crítica cultural aos padrões de beleza estabelecidos e às possibilidades subjetivas dadas ao feminino. Propõe-se, ainda, um panorama da formação de…
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‘CINEMATOGRAPHIC’: AN EXPLORATION INTO THE PHOTOGRAPHIC TABLEAUX OF JEFF WALL AND GREGORY CREWDSON
Gerrie, Vanessa, «’CINEMATOGRAPHIC’: AN EXPLORATION INTO THE PHOTOGRAPHIC TABLEAUX OF JEFF WALL AND GREGORY CREWDSON». , , Abstract This dissertation will examine the ways in which two artists, Jeff Wall and Gregory Crewdson, use photography to create images that are cinematic not only aesthetically but technically. Their work allows us to identify a new kind of art photography. By placing their work within the context of the ÔPictures GenerationÕ of the 1970s we can see the evolution and the emergence of this photographic regime. The Pictures Generation of the 1970s and 1980s saw a shift in what was known as art photography. From the 1970s onwards artists such as Jeff…
