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Between the Image and Anthropology: Theatrical Lessons from Aby Warburg’s “Nympha” / Gough, Kathleen M.
Gough, Kathleen M., «Between the Image and Anthropology: Theatrical Lessons from Aby Warburg's "Nympha"». TDR: The Drama Review, 56, 3, (2012), pp. 114-130
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The History and Aesthetics of the Classical Film Still / Jacobs, Steven
Jacobs, Steven, «The History and Aesthetics of the Classical Film Still». History of Photography, 34, 4, (2010), pp. 373-386
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Turning Theatre Into Art / Helguera, Pablo; Meromi, Ohad; Simmons, Xaviera; Young, Paul David
Helguera, Pablo; Meromi, Ohad; Simmons, Xaviera; Young, Paul David, «Turning Theatre Into Art». PAJ: A Journal of Performance and Art, 34, 1, (2012), pp. 169-182
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Pierrot photographe / Hamon, Philippe
Hamon, Philippe, «Pierrot photographe». Romantisme, 29, 105, (1999), pp. 35-43
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Teatro e Imagens: actas / 1º Encontro OPSIS – Base Iconográfica de Teatro em Portugal
Brilhante, Maria João; Magalhães, Paula; Figueiredo, Filipe, Teatro e Imagens: actas / 1º Encontro OPSIS – Base Iconográfica de Teatro em Portugal, Colibri / Centro de Estudos de Teatro – Faculdade de Letras da Universidade de Lisboa, Lisboa 2011 Abstract Other data Number of pages: ISBN: 978-898-689-241-8 ISSN: DOI: URL: Language: EN/IT/PT key: RMGX5YJI
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La Chambre claire: note sur la photographie
Barthes, Roland, La Chambre claire: note sur la photographie, Cahiers du cinéma Gallimard Seuil, [Paris] 1980 Abstract FR FR-751131015 AFNOR intermrc Other data Number of pages: ISBN: 2-07-020541-X Br. 31 F ISSN: DOI: URL: http://gallica.bnf.fr/ark:/12148/bpt6k23780h Language: fre key: KVXYL4TV
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Fotografia e teatralità: atti della giornata di studi San Miniato 21 ottobre 2006
Agus, Massimo; Chiarelli, Cosimo, Fotografia e teatralità: atti della giornata di studi San Miniato 21 ottobre 2006, Titivillus, Pisa 2007 Abstract Photography and theatre represent two distinct yet closely neighboring worlds. They live in a perennial state of contradiction: the theatre, which is consumed in its making and is renewed with each performance, in photography seems to deny its profound transitory nature; when photography appears in the space of the theatre, it betrays its vocation to reality, and becomes contaminated with fiction. Yet, beyond this apparent irreconcilability, or perhaps thanks to it, thetre and photography have, throughout history, formed a dense, problematic but extremely rich in stimuli and applications relationship…
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‘Theatricality’ and photography-iconographic similarities in nineteenth-century role portraits: postures, costumes and spatial situations
Balk, Claudia, 'Theatricality' and photography-iconographic similarities in nineteenth-century role portraits: postures, costumes and spatial situations, in Balme, Christopher B.; Erenstein, R. L.; Molinari, Cesare, European theatre iconography : proceedings of the European Science Foundation Network (Mainz, 22-26 July 1998, Wassenaar, 21-25 July 1999, Poggio a Caiano, 20-23 July 2000), Bulzoni, Roma 2002, pp. 339-350
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Theatricality before the camera: the earliest photographs of Actors
Senelick, Laurence, Theatricality before the camera: the earliest photographs of Actors, in Balme, Christopher B.; Erenstein, R. L.; Molinari, Cesare, European theatre iconography : proceedings of the European Science Foundation Network (Mainz, 22-26 July 1998, Wassenaar, 21-25 July 1999, Poggio a Caiano, 20-23 July 2000), Bulzoni, Roma 2002, pp. 317-330
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Jeff Wall: fotografias à escala humana
Miranda, Helena A., «Jeff Wall: fotografias à escala humana». Tese de Mestrado, Faculdade de Letras da Universidade de Lisboa, 2011 Abstract Seguindo o rasto de dois autores, foi meu interesse desenvolver alguns tópicos relacionados com fotografia, tradição pictórica e problemas de composição no contexto da arte contemporânea, especificamente em alguma da produção fotográfica feita a partir da década de 70. A obra de Jeff Wall é composta por imagens com múltiplas influências, como o cinema, a pintura, a literatura, o quotidiano e as experiências falhadas, Michael Fried ou os minimalistas. O resultado, muitas vezes exibido em caixas de luz numa escala quase humana, é inequivocamente fotográfico e visa repor o…