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Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield / Marshall, Jonathan
Marshall, Jonathan, «Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield». About Performance; Sydney, , 8, (2008), pp. 180-206,233-234
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The Theatricality of Grief / Wilson, Harry Robert
Wilson, Harry Robert, «The Theatricality of Grief». Performance Research, 24, 4, (2019), pp. 103-109
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Photography and Live Performance: Introduction / McAuley, Gay
McAuley, Gay, «Photography and Live Performance: Introduction». About Performance; Sydney, , 8, (2008), pp. 7-13,234
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A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia
Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60, 2, (2016), pp. 83-102
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The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time / Coppens, Jeroen
Coppens, Jeroen, «The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time». Forum Modernes Theater, 30, 1, (2019), pp. 47-59
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An Aesthetics of Interruption: Stagnation and Acceleration / Bal, Mieke; Christensen, Jeannette
Bal, Mieke; Christensen, Jeannette, «An Aesthetics of Interruption: Stagnation and Acceleration». ASAP/Journal, 4, 1, (2019), pp. 85-112
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Still Moving: The Revelation or Representation of Dance in Still Photography / Reason, Matthew
Reason, Matthew, «Still Moving: The Revelation or Representation of Dance in Still Photography». Dance Research Journal, 35/36, 01, (2003), pp. 43-67
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Photography as a Witness of Theatre / Dondero, Maria Giulia
Dondero, Maria Giulia, «Photography as a Witness of Theatre». Recherches sémiotiques, 28, 1-2, (2008), pp. 43-57
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The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event
Simon, Danni E., «The Role of the Performance Document: The Photographic Paradox and the Ephemeral Event». M.A., Sotheby’s Institute of Art – New York, Ann Arbor, United States 2015 Abstract In contemporary artistic practice, there has been a resurgence of performance- based work, resulting in an unprecedented interest in performance documentation. As performance art proliferates and gains admission into the exhibitions and archives of the traditional visual arts institution, the question of how to institutionalize these ephemeral practices comes to the fore. The documentation of performance, specifically the photographic document, has proven to be pivotal in the collection, preservation, and institutionalization of transient art. Now, more than ever before, the…
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The Art of Photographing the Dance / Fullard, David A.
Fullard, David A., «The Art of Photographing the Dance». PSA Journal, 69, 11, (2003), pp. 36-39