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Cruzamentos históricos: teatro e tecnologias de imagem / Isaacsson, Marta
Isaacsson, Marta, «Cruzamentos históricos: teatro e tecnologias de imagem». Artcultura, 13, 23, (2011), pp. 7-22
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Touching to See / Arnaud, Jean
Arnaud, Jean, «Touching to See». October, 114, , (2005), pp. 5-16
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Performance Art and Its Documentation: A Photo/Video Essay / Marsh, Anne
Marsh, Anne, «Performance Art and Its Documentation: A Photo/Video Essay». About Performance; Sydney, , 8, (2008), pp. 15-29,233
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The Theatre of Photography: Dialogues / Anderson, Joel; Leister, Wiebke
Anderson, Joel; Leister, Wiebke, «The Theatre of Photography: Dialogues». Photography & Culture, 11, 2, (2018), pp. 121-138
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O corpo-câmera: / Delpeux, Sophie
Delpeux, Sophie, «O corpo-câmera:». Revista Visuais, 4, 6, (2018), pp. 86-100
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Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand / Forment, Bruno
Forment, Bruno, «Reconnecting the Romantic Opera Repertoire: The Forgotten Stage Photographs of the Grand Théâtre de Gand». Fontes Artis Musicae, 66, 4, (2019), pp. 336-352
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Early Photographic Attempts to Record Performance Sequence / Senelick, Laurence
Senelick, Laurence, «Early Photographic Attempts to Record Performance Sequence». Theatre Research International, 22, 3, (1997), pp. 255-264
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“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
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From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
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“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence / Jones, Amelia
Jones, Amelia, «“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence». TDR/The Drama Review, 55, 1, (2011), pp. 16-45
