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Também foi assim que as coisas se passaram / Lança, Marta
Lança, Marta, «Também foi assim que as coisas se passaram». Sinais de Cena, , I, (2016), pp. 64-74
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A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia
Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60, 2, (2016), pp. 83-102
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Archival Theatre: Place and Performance in Early Twentieth-Century London / Robinson, Jennifer Claire
Robinson, Jennifer Claire, «Archival Theatre: Place and Performance in Early Twentieth-Century London». Early Popular Visual Culture, 14, 1, (2016), pp. 16-54
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Craving the Whole Essence: The Photograph as Document, Artwork and Framework in the Theatre of Vs. E. Meyerhold / Simpson, Amy
Simpson, Amy, «Craving the Whole Essence: The Photograph as Document, Artwork and Framework in the Theatre of Vs. E. Meyerhold». About Performance; Sydney, , 8, (2008), pp. 111-123,234
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O corpo-câmera: / Delpeux, Sophie
Delpeux, Sophie, «O corpo-câmera:». Revista Visuais, 4, 6, (2018), pp. 86-100
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Photography & Performance / Durant, Mark Alice
Durant, Mark Alice, «Photography & Performance». Aperture; Millerton, , 199, (2010), pp. 30-37
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Theatre Iconography: An Introduction / Erenstein, Robert L.
Erenstein, Robert L., «Theatre Iconography: An Introduction». Theatre Research International, 22, 3, (1997), pp. 185-189
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An Aesthetic of Backstage Labor / Essin, Christin
Essin, Christin, «An Aesthetic of Backstage Labor». Theatre Topics; Baltimore, 21, 1, (2011), pp. 33-48
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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Material Remains at Play / Hodgdon, Barbara
Hodgdon, Barbara, «Material Remains at Play». Theatre Journal, 64, 3, (2012), pp. 373-388
