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Gina Pane’s Witnesses / Blessing, Jennifer
Blessing, Jennifer, «Gina Pane's Witnesses». Performance Research, 7, 4, (2002), pp. 14-26
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The Theatrical Scrapbook / Marcus, Sharon
Marcus, Sharon, «The Theatrical Scrapbook». Theatre Survey, 54, 2, (2013), pp. 283-307
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À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf / Cavallo, Valerie
Cavallo, Valerie, «À contrechamp, photographier le théâtre de ceux qui voient. Ito Josué et Louis Caterin pour Jean Dasté à la Comédie de Saint-Étienne (1948-1963).pdf». Revue internationale de PhotolittératurePhilt, 2, , (2018), pp.
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A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara
Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
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An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation / Young, Gillian Turner
Young, Gillian Turner, «An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation». TDR: The Drama Review, 58, 2, (2014), pp. 115-131
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Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells / Cairns, Jon
Cairns, Jon, «Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells». Contemporary Theatre Review, 22, 3, (2012), pp. 355
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Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator / Davis, Jim
Davis, Jim, «Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator». Theatre Journal, 69, 4, (2017), pp. 515-534
