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Early Photographic Attempts to Record Performance Sequence / Senelick, Laurence
Senelick, Laurence, «Early Photographic Attempts to Record Performance Sequence». Theatre Research International, 22, 3, (1997), pp. 255-264
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Theatre Iconography: An Introduction / Erenstein, Robert L.
Erenstein, Robert L., «Theatre Iconography: An Introduction». Theatre Research International, 22, 3, (1997), pp. 185-189
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From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang / Kim, Suk-Young
Kim, Suk-Young, «From Imperial Concubine to Model Maoist: The Photographic Metamorphosis of Mei Lanfang». Theatre Research International, 31, 1, (2006), pp. 37-53
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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Double vision: Second Empire Theatre in stereographs / Senelick, Laurence
Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24, 1, (1999), pp. 82-88+
- Uncategorised
Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma / Balme, Christopher B.
Balme, Christopher B., «Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma». Theatre Research International, 22, 03, (1997), pp. 190-201
