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Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield / Marshall, Jonathan
Marshall, Jonathan, «Pathos, Pathology and the Still-Mobile Image a Warburgian Reading of Held by Garry Stewart and Lois Greenfield». About Performance; Sydney, , 8, (2008), pp. 180-206,233-234
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Windows on history: photographs from the Ringling Circus Museum / Posey, Jennifer Lemmer
Posey, Jennifer Lemmer, «Windows on history: photographs from the Ringling Circus Museum». Early Popular Visual Culture, 16, 3, (2018), pp. 301-316
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Theatre Iconography: An Introduction / Erenstein, Robert L.
Erenstein, Robert L., «Theatre Iconography: An Introduction». Theatre Research International, 22, 3, (1997), pp. 185-189
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F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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The visual record: the case of Hamlet
Hodgdon, Barbara, The visual record: the case of Hamlet, in Wiles, David and Christine Dymkowski, The Cambridge Companion to Theatre History, Cambridge Companions Online, Cambridge 2012, pp. 246-266
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Looking for the expressive body through images: The infinite struggle against insignificance
Brilhante, Maria João, Looking for the expressive body through images: The infinite struggle against insignificance, in Vicente, Gustavo, Intensified Bodies from the Performing Arts in Portugal, Peter Lang, Bern, Switzerland 2017, pp. 229-266
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Still Living
Schneider, Rebecca, Still Living, in , Performing Remains - Art and War in Times of Theatrical Reenactment, Routledge, London 2011, pp. 151-181
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Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator / Davis, Jim
Davis, Jim, «Looking and Being Looked At: Visualizing the Nineteenth-Century Spectator». Theatre Journal, 69, 4, (2017), pp. 515-534
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Projecto OPSIS: da visão de Osório Mateus à realização do CET / Brilhante, Maria João
Brilhante, Maria João, «Projecto OPSIS: da visão de Osório Mateus à realização do CET». Sinais de Cena, 20, , (2013), pp. 14-19
- Uncategorised
Editorial Comment: Theatre, Performance, and Visual Images / Tompkins, Joanne
Tompkins, Joanne, «Editorial Comment: Theatre, Performance, and Visual Images». Theatre Journal, 69, 4, (2017), pp. xi-xv
