Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Performed Photography,  Stage Photography

    Craving the Whole Essence: The Photograph as Document, Artwork and Framework in the Theatre of Vs. E. Meyerhold / Simpson, Amy

    Simpson, Amy, «Craving the Whole Essence: The Photograph as Document, Artwork and Framework in the Theatre of Vs. E. Meyerhold». About Performance; Sydney, ,  8, (2008), pp. 111-123,234

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  • Performed Photography,  Photography on Stage

    A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia

    Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60,  2, (2016), pp. 83-102

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  • Performativity of photography,  Performed Photography,  Stage Photography

    Archival Theatre: Place and Performance in Early Twentieth-Century London / Robinson, Jennifer Claire

    Robinson, Jennifer Claire, «Archival Theatre: Place and Performance in Early Twentieth-Century London». Early Popular Visual Culture, 14,  1, (2016), pp. 16-54

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  • Performed Photography,  Photography on Stage

    The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time / Coppens, Jeroen

    Coppens, Jeroen, «The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time». Forum Modernes Theater, 30,  1, (2019), pp. 47-59

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  • Performed Photography

    Notas sobre a imagem encenada, paradigma reprovado da história da fotografia? / Poivert, Michel

    Poivert, Michel, «Notas sobre a imagem encenada, paradigma reprovado da história da fotografia?». PORTO ARTE: Revista de Artes Visuais, 21,  35, (2017), pp.

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  • Performed Photography,  Stage Photography

    Still Living

    Schneider, Rebecca, Still Living, in , Performing Remains - Art and War in Times of Theatrical Reenactment, Routledge, London 2011, pp. 151-181

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  • Uncategorised

    The History and Aesthetics of the Classical Film Still / Jacobs, Steven

    Jacobs, Steven, «The History and Aesthetics of the Classical Film Still». History of Photography, 34,  4, (2010), pp. 373-386

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  • Uncategorised

    Point & shoot: performance and photography

    McGrath, Donald; Nemiroff, Diana; Thériault, Michèle; Tougas, Colette; Choinière, France; Barnard, Timothy, Point & shoot: performance and photography, Dazibao, Montréal 2005 Abstract The latest in Galerie Dazibao’s series of publications on “hybrid” photographie practices introduces a timely subject: the relation- ship between photography and performance in Canadian art. Presented from both historical and theoretical perspectives, the collection of writings attempts to clarify a dominant trend in contemporary photography that fuses theatre, video, and the still image. The book accompanies the two exhibitions and day of performances held at Galerie Dazibao and other locations in Mon- treal in the spring of 2004. Other data Number of pages: ISBN: 978-2-922135-26-8 ISSN: DOI:…

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  • Uncategorised

    Tableaux vivants : fantaisies photographiques victoriennes (1840-1880)

    Bajac, Quentin, Tableaux vivants : fantaisies photographiques victoriennes (1840-1880), Réunion des musées nationaux, Paris 1999 Abstract Other data Number of pages: ISBN: 2-7118-3866-8 ISSN: DOI: URL: Language: FR key: 49SZWTX7

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  • Stage Photography

    Modern Time: Revisiting the Tableau

    Lowry, Joanna, Modern Time: Revisiting the Tableau, in Baetens, Jan; Van Gelder, Hilde; Streitberger, Alexander, Time and Photography, Leuven university press, Leuven 2010, pp. 47-64

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