-
The Art of Photographing the Dance / Fullard, David A.
Fullard, David A., «The Art of Photographing the Dance». PSA Journal, 69, 11, (2003), pp. 36-39
-
Double vision: Second Empire Theatre in stereographs / Senelick, Laurence
Senelick, Laurence, «Double vision: Second Empire Theatre in stereographs». Theatre Research International; Oxford, 24, 1, (1999), pp. 82-88+
- Uncategorised
The History and Aesthetics of the Classical Film Still / Jacobs, Steven
Jacobs, Steven, «The History and Aesthetics of the Classical Film Still». History of Photography, 34, 4, (2010), pp. 373-386
- Uncategorised
Pierrot photographe / Hamon, Philippe
Hamon, Philippe, «Pierrot photographe». Romantisme, 29, 105, (1999), pp. 35-43
- Uncategorised
Melodramatic gesture in Carte-de-Visite photographs / Senelick, Laurence
Senelick, Laurence, «Melodramatic gesture in Carte-de-Visite photographs». Theater, 18, 2, (1987), pp. 5-13
- Uncategorised
I fotografi della Duse / Zannier, Italo
Zannier, Italo, «I fotografi della Duse». , , , (2001), pp. 1-5
-
Rostos e poses no teatro português
Alvarez, José Carlos, Rostos e poses no teatro português, Museu Nacional do Teatro, Lisboa 2007 Abstract Other data Number of pages: 123 p. ISBN: 978-972-776-355-9 ISSN: DOI: URL: Language: PT key: M3G7DSKD
- Uncategorised
‘Theatricality’ and photography-iconographic similarities in nineteenth-century role portraits: postures, costumes and spatial situations
Balk, Claudia, 'Theatricality' and photography-iconographic similarities in nineteenth-century role portraits: postures, costumes and spatial situations, in Balme, Christopher B.; Erenstein, R. L.; Molinari, Cesare, European theatre iconography : proceedings of the European Science Foundation Network (Mainz, 22-26 July 1998, Wassenaar, 21-25 July 1999, Poggio a Caiano, 20-23 July 2000), Bulzoni, Roma 2002, pp. 339-350
- Uncategorised
At the Cutting Edge. Interfaces Between Figure and Life
Smith, Bruce R., At the Cutting Edge. Interfaces Between Figure and Life, in , Shakespeare cut: rethinking cutwork in an age of distraction, Oxford University Press, Oxford ; New York, NY 2016, pp.
- Uncategorised
Lewis Carroll and the Victorian Stage : Theatricals in a Quiet Life
Foulkes, Richard, Lewis Carroll and the Victorian Stage : Theatricals in a Quiet Life, Routledge, 2017 Abstract Author of the enduringly popular Alice books, mathematician, Anglican cleric, and pioneer photographer, Lewis Carroll maintained a lifelong enthusiasm for the theatre. Lewis Carroll and the Victorian Stage is the first book to focus on Carroll’s irresistible fascination with all things theatrical, from childhood charades and marionettes to active involvement in the dramatisation of Alice, influential contributions to the debate on child actors, and the friendship of leading players, especially Ellen Terry. As well as being a key to his complex and enigmatic personality, Carroll’s interest in the theatre provides a vivid account…