-
Windows on history: photographs from the Ringling Circus Museum / Posey, Jennifer Lemmer
Posey, Jennifer Lemmer, «Windows on history: photographs from the Ringling Circus Museum». Early Popular Visual Culture, 16, 3, (2018), pp. 301-316
-
Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
-
“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
-
“The Picture Postcard is a sign of the times”: Theatre Postcards and Modernism / Farfan, Peny
Farfan, Peny, «"The Picture Postcard is a sign of the times": Theatre Postcards and Modernism». Theatre History Studies, 32, 1, (2012), pp. 93-119
-
The Theatrical Scrapbook / Marcus, Sharon
Marcus, Sharon, «The Theatrical Scrapbook». Theatre Survey, 54, 2, (2013), pp. 283-307
-
Actor Taborda: o homem, o actor e a imagem / Soares, Selda
Soares, Selda, «Actor Taborda: o homem, o actor e a imagem». Sinais de Cena, 1, , (2004), pp. 121-131
-
Imagens no feminino / Brilhante, Maria João
Brilhante, Maria João, «Imagens no feminino». Sinais de Cena, 21, , (2014), pp. 23-36
-
The actress as photographic icon: from early photography to early film / Mayer, David
Mayer, David, «The actress as photographic icon: from early photography to early film». The Cambridge Companion to the Actress, , , (2007), pp. 74-94
-
Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24, 2, (2009), pp. 97-106
-
Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition / Barnden, Sally
Barnden, Sally, «Photographing Titus Andronicus: Textual Fidelity, Spectacle, and the Performance Tradition». Theatre Journal, 69, 4, (2017), pp. 555-571