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Little, Little Graves: Shakespeare’s Photographs of Richard II / Dailey, Alice
Dailey, Alice, «Little, Little Graves: Shakespeare's Photographs of Richard II». Shakespeare Quarterly, 69, 3, (2018), pp. 141-166
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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The Directorial Mode: Notes Toward a Definition / Coleman, A.D.
Coleman, A.D., «The Directorial Mode: Notes Toward a Definition». Artforum, , 15, (1976), pp. 55-61
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Notas sobre a imagem encenada, paradigma reprovado da história da fotografia? / Poivert, Michel
Poivert, Michel, «Notas sobre a imagem encenada, paradigma reprovado da história da fotografia?». PORTO ARTE: Revista de Artes Visuais, 21, 35, (2017), pp.
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F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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Between Action and Image: Performance as ‘Inframedium’
Westerman, Jonah, «Between Action and Image: Performance as ‘Inframedium’», Tate, 2015. https://www.tate.org.uk/research/features/between-action-and-image Abstract What would it mean to think of performance as a medium? Or rather, what would it do to our usual modes of articulating performance art, its meanings and its histories? Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.tate.org.uk/research/features/between-action-and-image Language: EN key: HH3LCMMZ
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Blow up: photography, cinema and the brain
Neidich, Warren, «Blow up: photography, cinema and the brain», , 2003 (www.warrenneeidich.com) AbstractThis paper explores the relationship between photography, cinema, and the evolving human brain, proposing that modern technological advancements in visual media have fundamentally transformed cultural interactions and perceptions. By tracing the historical development of optical technologies and their cultural implications, the study discusses how these technologies shape subjective experience and influence the neural organization of the brain. The author argues that contemporary imagery induces a dynamic understanding of space and time, suggesting that both the construction of culture and neural processes are continuously interlinked. Other data Number of pages:ISBN:ISSN:DOI:URL: https://www.academia.edu/947801/Blow_up_photography_cinema_and_the_brainLanguage: ENkey: 86PNWUUJ
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Archaeologies of Presence
Giannachi, Gabriella; Kaye, Nick; Shanks, Michael; Kaye, Nick; Shanks, Michael, Archaeologies of Presence, Routledge, 2012 Abstract Archaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory Other data Number of pages: 19-44 ISBN: 978-0-203-12673-8 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9780203126738 Language: EN key: 6PRXC75T
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Ainda. O livro como performance
Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV
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The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination
Smith, Shawn Michelle, The Performative Index : James VanDerZee, Roland Barthes, Lorna Simpson, and the Photographic Imagination, in , Photography and Imagination, Routledge, 2019, pp. 133-146
