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Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency / Jones, Amelia
Jones, Amelia, «Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency». TDR/The Drama Review, 59, 4, (2015), pp. 18-35
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Teatro Aberto, quarenta anos de imagens / Figueiredo, Filipe; Magalhães, Paula
Figueiredo, Filipe; Magalhães, Paula, «Teatro Aberto, quarenta anos de imagens». Sinais de Cena, , II, (2017), pp. 169-184
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Simplesmente sentir… / Gonçalves, Jorge
Gonçalves, Jorge, «Simplesmente sentir…». Sinais de Cena, 14, , (2010), pp. 31-40
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João Tuna 90-04: ficções fotográficas / Carvalho, Paulo Eduardo
Carvalho, Paulo Eduardo, «João Tuna 90-04: ficções fotográficas». Sinais de Cena, 1, , (2004), pp. 38-48
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Respirar fundo / Paiva, Susana
Paiva, Susana, «Respirar fundo». Sinais de Cena, 3, , (2005), pp. 24-34
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Poética, documento, memória: Ballet, de Brodovitch / Carneiro, João
Carneiro, João, «Poética, documento, memória: Ballet, de Brodovitch». Sinais de Cena, 15, , (2011), pp. 86-88
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The actress as photographic icon: from early photography to early film / Mayer, David
Mayer, David, «The actress as photographic icon: from early photography to early film». The Cambridge Companion to the Actress, , , (2007), pp. 74-94
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Presence in absentia. Experiencing Performance as Documentation / Jones, Amelia
Jones, Amelia, «Presence in absentia. Experiencing Performance as Documentation». Art Journal, 56, 4, (1997), pp. 11
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Photography as a Witness of Theatre / Dondero, Maria Giulia
Dondero, Maria Giulia, «Photography as a Witness of Theatre». Recherches sémiotiques, 28, 1-2, (2008), pp. 43-57
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Hybrid Europeana. Notes on theatre (photo) archives. / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Hybrid Europeana. Notes on theatre (photo) archives.». Image & Narrative. Online Magazine of the Visual Narrative, 15, 4, (2014), pp. 14-29
