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(Re)marking the Overlooked or Stanislavski’s Napkin / Melrose, Susan
Melrose, Susan, «(Re)marking the Overlooked or Stanislavski's Napkin». Performance Research, 6, 2, (2001), pp. 4-19
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A Duet Between Performer and Photographer / Lohr, Heidrun
Lohr, Heidrun, «A Duet Between Performer and Photographer». About Performance; Sydney, , 8, (2008), pp. 47-65,233
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Gina Pane’s Witnesses / Blessing, Jennifer
Blessing, Jennifer, «Gina Pane's Witnesses». Performance Research, 7, 4, (2002), pp. 14-26
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Oracular Practice, Crip Bodies and the Poetry of Collaboration / Kuppers, Petra
Kuppers, Petra, «Oracular Practice, Crip Bodies and the Poetry of Collaboration». About Performance; Sydney, , 8, (2008), pp. 67-89,232
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The Performance Document: Assimilations of Gesture and Genre / Maude-Roxby, Alice; Li, Dinu
Maude-Roxby, Alice; Li, Dinu, «The Performance Document: Assimilations of Gesture and Genre». Photography and Culture, 11, 2, (2018), pp. 197-209
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The Theatre Photography of Luis Poirot: A Legacy of Memory and Sacrifice / Hurtado, Maria de la Luz; Anderson, Joel
Hurtado, Maria de la Luz; Anderson, Joel, «The Theatre Photography of Luis Poirot: A Legacy of Memory and Sacrifice». Photography and Culture, 11, 2, (2018), pp. 211-214
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Windows on history: photographs from the Ringling Circus Museum / Posey, Jennifer Lemmer
Posey, Jennifer Lemmer, «Windows on history: photographs from the Ringling Circus Museum». Early Popular Visual Culture, 16, 3, (2018), pp. 301-316
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Performance in Print: Channeling Tōmatsu Shōmei’s NO.541 / Ross, Julian; Stojković, Jelena
Ross, Julian; Stojković, Jelena, «Performance in Print: Channeling Tōmatsu Shōmei’s NO.541». Photography and Culture, 11, 2, (2018), pp. 181-196
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Corporeal Knowledge and Pleasure in Theatre Research: The Case of Looking at Theatre Photographs / Tang, Acty
Tang, Acty, «Corporeal Knowledge and Pleasure in Theatre Research: The Case of Looking at Theatre Photographs». South African Theatre Journal, 21, 1, (2007), pp. 241-252
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Craving the Whole Essence: The Photograph as Document, Artwork and Framework in the Theatre of Vs. E. Meyerhold / Simpson, Amy
Simpson, Amy, «Craving the Whole Essence: The Photograph as Document, Artwork and Framework in the Theatre of Vs. E. Meyerhold». About Performance; Sydney, , 8, (2008), pp. 111-123,234
