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Nature’s dream play: Modes of vision and August Strindberg’s re-definition of the theatre / Szalczer, Eszter
Szalczer, Eszter, «Nature's dream play: Modes of vision and August Strindberg's re-definition of the theatre». Theatre Journal; Baltimore, 53, 1, (2001), pp. 33-52
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Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke / Zaytoun, Constance
Zaytoun, Constance, «Smoke Signals: Witnessing the Burning Art of Deb Margolin and Hannah Wilke». TDR: The Drama Review, 52, 3, (2008), pp. 134-159
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Archival Theatre: Place and Performance in Early Twentieth-Century London / Robinson, Jennifer Claire
Robinson, Jennifer Claire, «Archival Theatre: Place and Performance in Early Twentieth-Century London». Early Popular Visual Culture, 14, 1, (2016), pp. 16-54
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Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer
Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22, 3, (2000), pp. 47-56
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Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan
Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53, 1, (2001), pp. 73-94
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F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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Still Living
Schneider, Rebecca, Still Living, in , Performing Remains - Art and War in Times of Theatrical Reenactment, Routledge, London 2011, pp. 151-181
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The “eternal return”: Self-portrait photography as a technology of embodiment / Jones, Amelia
Jones, Amelia, «The "eternal return": Self-portrait photography as a technology of embodiment». Signs; Chicago, 27, 4, (2002), pp. 947-978
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Rrose is a rrose is a rrose : gender performance in photography
Blessing, Jennifer; Halberstam, Judith, Rrose is a rrose is a rrose : gender performance in photography, New York, N.Y. : Guggenheim Museum, 1997 Abstract Catalog of an exhibition held at the Solomon R. Guggenheim Museum, New York, January 17-April 27, 1997; Includes bibliographical references and index; Exhibition 589 Other data Number of pages: 238 ISBN: ISSN: DOI: URL: http://archive.org/details/rroseisr00bles Language: eng key: TF7H6N3Q
- Uncategorised
Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder
Pereira, Anabela, Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder, in Vicente, Gustavo, Intensified Bodies from the Performing Arts in Portugal, Peter Lang, Bern, Switzerland 2017, pp. 229-266
