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“The Picture Postcard is a sign of the times”: Theatre Postcards and Modernism / Farfan, Peny
Farfan, Peny, «"The Picture Postcard is a sign of the times": Theatre Postcards and Modernism». Theatre History Studies, 32, 1, (2012), pp. 93-119
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Passion and Posture in Early Dramatic Photographs / Hunter, Frederick J.
Hunter, Frederick J., «Passion and Posture in Early Dramatic Photographs». Theatre Survey, 5, 1, (1964), pp. 43-63
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“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph / Mayer, David
Mayer, David, «“Quote the Words to Prompt the Attitudes”: The Victorian Performer, the Photographer, and the Photograph». Theatre Survey, 43, 2, (2002), pp. 223-251
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Imagens no feminino / Brilhante, Maria João
Brilhante, Maria João, «Imagens no feminino». Sinais de Cena, 21, , (2014), pp. 23-36
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Actor Taborda: o homem, o actor e a imagem / Soares, Selda
Soares, Selda, «Actor Taborda: o homem, o actor e a imagem». Sinais de Cena, 1, , (2004), pp. 121-131
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La gravité des visages, au sein du théâtre photographique de Thérèse Le Prat
Cavallo, Valérie, «La gravité des visages, au sein du théâtre photographique de Thérèse Le Prat», http://focales.univ-st-etienne.fr, . https://focales.univ-st-etienne.fr/index.php?id=2326 Abstract Au milieu du xxe siècle, Thérèse Le Prat photographie en France de nombreux acteurs de théâtre. Ses clichés ne visent pas à valoriser des célébrités, mais sont en quête des expressions des visages au cours de leur traversée d’un rôle, particulièrement en ce que ce dernier révèle une incarnation en prise sur son inéluctable disparition. Le théâtre photographique auquel se livre l’artiste, par une pratique singulière, touche ainsi au drame de l’existence humaine et en accueille la gravité. Other data Number of pages: ISBN: ISSN: DOI: URL: https://focales.univ-st-etienne.fr/index.php?id=2326 Language: fr key: 4X7JD66I
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O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)
Figueiredo, Filipe, «O insustentável desejo da memória : incursões na fotografia de teatro em Portugal (1868-1974)». Dissertação de Doutoramento em Estudos Artísticos, ramo de Estudos de Teatro, Universidade de Lisboa, Lisboa 2015 Abstract O presente estudo tem com objecto a produção de fotografia de teatro em Portugal entre 1868, data das primeiras fotografias, em série, associadas a uma determinada peça, e 1974, que corresponde, simultaneamente, à extinção da companhia Rey Colaço-Robles Monteiro (RC-RM) e ao fim do regime do Estado Novo. Neste contexto histórico, de aproximadamente cem anos, identificam-se as mais significativas práticas da fotografia de teatro, a partir de um vasto trabalho de levantamento e de sistematização de imagens…
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The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography
Nacy, Philip Kellett, «The Actor’s Image: Reading Representations in Nineteenth-Century American Theatrical Photography». , U of Missouri, ColumbiaUMI, 2006 Abstract Other data Number of pages: 399 ISBN: ISSN: DOI: URL: http://search.ebscohost.com/login.aspx?direct=true&db=mlf&AN=2006654051&site=ehost-live&scope=site Language: EN key: PSGZF49S
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Napoleon Sarony’s living pictures: Photography, performance & American art, 1865-1900
Pauwels, Erin Kristl, «Napoleon Sarony’s living pictures: Photography, performance & American art, 1865-1900». Ph.D., Indiana University, Ann Arbor, United States 2015 Abstract This dissertation investigates the complex artistic legacy of Napoleon Sarony, a pioneering figure in American photography. Based in Manhattan from 1866 until his death in 1896, Sarony was the most celebrated photographic portraitist of his era, known best for adapting the drama and fantasy of Gilded Age theatre to his construction of public images. Rather than creating straightforward likenesses of his subjects such as Sarah Bernhardt and Oscar Wilde, Sarony used flamboyant pose and costume, elaborate set-pieces and skillful retouching to create what he called “Living Pictures”—expressive portraits…
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Three Views from the Oliver Messel Archive at University of Bristol Theatre Collection / Messel, Thomas; Howgill, Emma
Messel, Thomas; Howgill, Emma, «Three Views from the Oliver Messel Archive at University of Bristol Theatre Collection». Photography and Culture, 11, 2, (2018), pp. 215-227
