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Oracular Practice, Crip Bodies and the Poetry of Collaboration / Kuppers, Petra
Kuppers, Petra, «Oracular Practice, Crip Bodies and the Poetry of Collaboration». About Performance; Sydney, , 8, (2008), pp. 67-89,232
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Sleep, Laziness and Making / Wakefield, Nik
Wakefield, Nik, «Sleep, Laziness and Making». Performance Research, 21, 1, (2016), pp. 126-131
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Becoming-one; A Duologue in Practice / Waeckerle, Emmanuelle; Vason, Manuel
Waeckerle, Emmanuelle; Vason, Manuel, «Becoming-one; A Duologue in Practice». Photography and Culture, 11, 2, (2018), pp. 169-180
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24, 2, (2009), pp. 97-106
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BUTOH: Duet for Dancer and Photographer / Bieszczad-Roley, Karolina
Bieszczad-Roley, Karolina, «BUTOH: Duet for Dancer and Photographer». PAJ: A Journal of Performance and Art, 33, 3, (2011), pp. 1-10
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Ainda. O livro como performance
Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV
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Theatre and Performance Photography: Documentation and the “unlive”
Anderson, Joel, «Theatre and Performance Photography: Documentation and the “unlive”». , Queen Mary, University of London, London 2008 Abstract Although theatre and performance photographs often illustrate scholarly works on theatre and performance, and despite recent interest in links between theatre and the still image from both theatre practitioners and theorists, there remains relatively little critical work on theatre photography. This thesis examines theatre photography, implementing approaches that are a departure from habitual conceptions of the photograph as document. Taking the intersection of theatre and photography as a vantage point, this thesis considers how photography might shape theatre rather than recording it, and how this might challenge notions of theatre’s constitution,…