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Oracular Practice, Crip Bodies and the Poetry of Collaboration / Kuppers, Petra
Kuppers, Petra, «Oracular Practice, Crip Bodies and the Poetry of Collaboration». About Performance; Sydney, , 8, (2008), pp. 67-89,232
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Sleep, Laziness and Making / Wakefield, Nik
Wakefield, Nik, «Sleep, Laziness and Making». Performance Research, 21, 1, (2016), pp. 126-131
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Becoming-one; A Duologue in Practice / Waeckerle, Emmanuelle; Vason, Manuel
Waeckerle, Emmanuelle; Vason, Manuel, «Becoming-one; A Duologue in Practice». Photography and Culture, 11, 2, (2018), pp. 169-180
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An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA
SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44, 2, (2019), pp. 118-134
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F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel
Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24, 2, (2009), pp. 97-106
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BUTOH: Duet for Dancer and Photographer / Bieszczad-Roley, Karolina
Bieszczad-Roley, Karolina, «BUTOH: Duet for Dancer and Photographer». PAJ: A Journal of Performance and Art, 33, 3, (2011), pp. 1-10
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Ainda. O livro como performance
Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV
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Performance, Photography, Performativity: What Performance ‘does’ in the Still Image
Taylor, Allan S., «Performance, Photography, Performativity: What Performance ‘does’ in the Still Image». , , Abstract Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the intentional performance of a given act invokes…