Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Performed Photography,  Stage Photography

    Oracular Practice, Crip Bodies and the Poetry of Collaboration / Kuppers, Petra

    Kuppers, Petra, «Oracular Practice, Crip Bodies and the Poetry of Collaboration». About Performance; Sydney, ,  8, (2008), pp. 67-89,232

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  • Performed Photography

    Sleep, Laziness and Making / Wakefield, Nik

    Wakefield, Nik, «Sleep, Laziness and Making». Performance Research, 21,  1, (2016), pp. 126-131

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  • Performed Photography

    Becoming-one; A Duologue in Practice / Waeckerle, Emmanuelle; Vason, Manuel

    Waeckerle, Emmanuelle; Vason, Manuel, «Becoming-one; A Duologue in Practice». Photography and Culture, 11,  2, (2018), pp. 169-180

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  • Performed Photography

    An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India / SHARANYA

    SHARANYA, «An Eye for an Eye: the Hapticality of Collaborative Photo-Performance in Native Women of South India». Theatre Research International, 44,  2, (2019), pp. 118-134

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  • Uncategorised

    F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin

    Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19,  1, (2005), pp. 32-59

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  • Performed Photography,  Stage Photography

    The performativity of performance documentation / Auslander, Philip

    Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28,  3, (2006), pp. 1-10

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  • Performed Photography

    Theatre, performance studies and photography: a history of permanent contamination / Vanhaesebrouck, Karel

    Vanhaesebrouck, Karel, «Theatre, performance studies and photography: a history of permanent contamination». Visual Studies, 24,  2, (2009), pp. 97-106

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  • Uncategorised

    BUTOH: Duet for Dancer and Photographer / Bieszczad-Roley, Karolina

    Bieszczad-Roley, Karolina, «BUTOH: Duet for Dancer and Photographer». PAJ: A Journal of Performance and Art, 33,  3, (2011), pp. 1-10

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  • Performativity of photography,  Performed Photography,  Stage Photography

    Ainda. O livro como performance

    Cadôr, Amir, Ainda. O livro como performance, , 2013 Abstract Catálogo da exposição realizada no MAP em 2012, edição bilingue, português/inglês. Other data Number of pages: 100 ISBN: 978-85-98964-16-4 ISSN: DOI: URL: https://www.academia.edu/10659126/O_livro_como_performance Language: PT/EN key: QCZ9SWUV

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  • Performativity of photography,  Performed Photography

    Performance, Photography, Performativity: What Performance ‘does’ in the Still Image

    Taylor, Allan S., «Performance, Photography, Performativity: What Performance ‘does’ in the Still Image». , , Abstract Auslander (2006) states that images generated from performance documentation and practices stemming from performance to camera could be considered ‘performative’ if they are meant to be seen as happening in the ‘now’ they are viewed, with the spectator as the current intended audience. This thesis takes Auslander’s supposition and situates the term performativity within an established academic discourse as a social, political or cultural ‘doing’ and questions what, apart from performing, performance ‘does’ in its transcription to a photographic image. I propose a ‘doing’ occurs because the intentional performance of a given act invokes…

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