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Futurist Photodynamism (1911) / Bragaglia, Anton Giulio 1890-1960; Rainey, Lawrence S.
Bragaglia, Anton Giulio 1890-1960; Rainey, Lawrence S., «Futurist Photodynamism (1911)». Modernism/modernity, 15, 2, (2008), pp. 363-379
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O corpo em queda / Tércio, Daniel
Tércio, Daniel, «O corpo em queda». Sinais de Cena, 22, , (2014), pp. 87-91
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The Performance Space of the Photograph: From ‘The Anti-Photographers’ to ‘The Directorial Mode’ / Grant, Catherine
Grant, Catherine, «The Performance Space of the Photograph: From ‘The Anti-Photographers’ to ‘The Directorial Mode’». Re.Bus, , 5(Spring), (2010), pp.
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Seven Photo Models of “Mother Courage” / Barthes, Roland
Barthes, Roland, «Seven Photo Models of "Mother Courage"». TDR, 12, 1, Bertolt Brecht, Autumn, (1967), pp. 44-55
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Reading Publicity Photographs through the Elizabeth Robins Archive: How Images of the Actress and the Queen Constructed a New Sexual Ideal / Bonapfel, Elizabeth M.
Bonapfel, Elizabeth M., «Reading Publicity Photographs through the Elizabeth Robins Archive: How Images of the Actress and the Queen Constructed a New Sexual Ideal». Theatre Survey, 57, 1, (2016), pp. 109-131
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Étienne Bertrand Weill, danseur d’images / Chiarelli, Cosimo
Chiarelli, Cosimo, «Étienne Bertrand Weill, danseur d’images». Ligeia, 113-116, 1, (2012), pp. 160-169
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Matters of Tact: Writing History from the Inside Out / Albright, Ann Cooper
Albright, Ann Cooper, «Matters of Tact: Writing History from the Inside Out». Dance Research Journal, 36, 1, (2004), pp. 11-26
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Digital Liveness: A Historico-Philosophical Perspective / Auslander, Philip
Auslander, Philip, «Digital Liveness: A Historico-Philosophical Perspective». PAJ: A Journal of Performance and Art, 34, 3, (2012), pp. 3-11
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Reading Scenic Writing: Barthes, Brecht, and Theatre Photography / Carmody, Jim
Carmody, Jim, «Reading Scenic Writing: Barthes, Brecht, and Theatre Photography». Journal of Dramatic Theory and Criticism, , , (1990), pp. 25-38
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Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science / Coffman, Elizabeth
Coffman, Elizabeth, «Women in Motion: Loie Fuller and the "Interpenetration" of Art and Science». Camera Obscura, 17, 1, (2002), pp. 1-104