- Uncategorised
F. Holland Day’s Seven Last Words and the Religious Roots of American Modernism / Schwain, Kristin
Schwain, Kristin, «F. Holland Day's Seven Last Words and the Religious Roots of American Modernism». American Art, 19, 1, (2005), pp. 32-59
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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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Performing Remediation: The Minstrel, The Camera, and The Octoroon / Sonstegard, Adam
Sonstegard, Adam, «Performing Remediation: The Minstrel, The Camera, and The Octoroon». Criticism, 48, 3, (2006), pp. 375-395
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The Body as Archive: Will to Re-Enact and the Afterlives of Dances / Lepecki, André
Lepecki, André, «The Body as Archive: Will to Re-Enact and the Afterlives of Dances». Dance Research Journal, 42, 2, (2010), pp. 28-48
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The Archive Effect: Archival Footage as an Experience of Reception / Baron, Jaimie
Baron, Jaimie, «The Archive Effect: Archival Footage as an Experience of Reception». Projections, 6, 2, (2012), pp. 102-120
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White Negro: Jeff Wall’s Uncle Tom on the Obscenity of Photopantomime / Michel, Régis
Michel, Régis, «White Negro: Jeff Wall's Uncle Tom on the Obscenity of Photopantomime». Oxford Art Journal, 30, 1, (2007), pp. 57-68
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Memory texts and memory work: Performances of memory in and with visual media / Kuhn, Annette
Kuhn, Annette, «Memory texts and memory work: Performances of memory in and with visual media». Memory Studies, , , (), pp. 298–313
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Documenting performance art: documentation in practice / Woolley, Michael J. H.
Woolley, Michael J. H., «Documenting performance art: documentation in practice». International Journal of Performance Arts and Digital Media, 10, 1, (2014), pp. 48-66
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Helena Almeida / Sardo, Delfim
Sardo, Delfim, «Helena Almeida». Aperture, , 221, (2015), pp. 58-67
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Véritable mensonge ou mentir-vrai : la photographie de théâtre comme authentique artifice / Rykner, Arnaud
Rykner, Arnaud, «Véritable mensonge ou mentir-vrai : la photographie de théâtre comme authentique artifice». Sens public, , , (2019), pp.
