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João Tuna e a fotografia de cena como obra de arte / Figueira, Jorge Louraço
Figueira, Jorge Louraço, «João Tuna e a fotografia de cena como obra de arte». Sinais de Cena, 19, , (2013), pp. 14-15
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Projecto OPSIS: da visão de Osório Mateus à realização do CET / Brilhante, Maria João
Brilhante, Maria João, «Projecto OPSIS: da visão de Osório Mateus à realização do CET». Sinais de Cena, 20, , (2013), pp. 14-19
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Editorial Comment: Theatre, Performance, and Visual Images / Tompkins, Joanne
Tompkins, Joanne, «Editorial Comment: Theatre, Performance, and Visual Images». Theatre Journal, 69, 4, (2017), pp. xi-xv
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Notes on the Documentarity of Theatre Atelier Photography / Kędziora, Alicja
Kędziora, Alicja, «Notes on the Documentarity of Theatre Atelier Photography». ZARZĄDZANIE W KULTURZE, 13, 4, (2012), pp. 341-350
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Performing for the camera
Baker, Simon, Performing for the camera, Tate Publishing, London 2016 Abstract The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well…
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Reactivations: Essays on Performance and Its Documentation
Auslander, Philip, Reactivations: Essays on Performance and Its Documentation, University of Michigan Press, 2018 Abstract Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation…
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Rostos e poses no teatro português
Alvarez, José Carlos, Rostos e poses no teatro português, Museu Nacional do Teatro, Lisboa 2007 Abstract Other data Number of pages: 123 p. ISBN: 978-972-776-355-9 ISSN: DOI: URL: Language: PT key: M3G7DSKD
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Teatro e Imagens: actas / 1º Encontro OPSIS – Base Iconográfica de Teatro em Portugal
Brilhante, Maria João; Magalhães, Paula; Figueiredo, Filipe, Teatro e Imagens: actas / 1º Encontro OPSIS – Base Iconográfica de Teatro em Portugal, Colibri / Centro de Estudos de Teatro – Faculdade de Letras da Universidade de Lisboa, Lisboa 2011 Abstract Other data Number of pages: ISBN: 978-898-689-241-8 ISSN: DOI: URL: Language: EN/IT/PT key: RMGX5YJI
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Morte e Espectralidade nas Artes e na Literatura
Bértolo, José; Guerreiro, Fernando, Morte e Espectralidade nas Artes e na Literatura, Húmus, 2019 Abstract Morte e Espectralidade nas Artes e na Literatura reúne um conjunto de ensaios nos quais se reflecte sobre as problemáticas da espectralidade e da morte nos campos da produção e da teorização das artes. Na primeira parte, procede-se à questionação e à análise de algumas configurações que o tópico da morte conheceu na literatura, na fotografia, no cinema, na literatura e nas artes de palco no decorrer dos últimos dois séculos. Num segundo momento, trata-se a espectralidade enquanto problema inerente à fotografia e ao pensamento crítico em torno desta arte, interrogando diversos pressupostos da representação…
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Three works by the Open Theater
Mark, Mary Ellen; Waldman, Max; Morath, IngeMalpede, Karen, Three works by the Open Theater, Drama Book Specialists, New York 1974 Abstract Other data Number of pages: 191 ISBN: 978-0-910482-54-7 ISSN: DOI: URL: Language: key: 3PV2IYYG