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Contemporary Performance/Technology / Birringer, Johannes H.
Birringer, Johannes H., «Contemporary Performance/Technology». Theatre Journal, 51, 4, (1999), pp. 361-381
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Performing The History of A Body in Places / Otake, Eiko; Johnston, William
Otake, Eiko; Johnston, William, «Performing The History of A Body in Places». ASAP/Journal, 4, 1, (2019), pp. 39-57
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Dance, Photography, and the World’s Body / Copeland, Roger
Copeland, Roger, «Dance, Photography, and the World's Body». Performing Arts Journal, 6, 1, (1981), pp. 91-96
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Moving Pictures: A Dance Photography Portfolio / Greenfield, Lois; Duncan, Kenn; Elbers, Johan; Mangolte, Babette; Tileston, Nathaniel
Greenfield, Lois; Duncan, Kenn; Elbers, Johan; Mangolte, Babette; Tileston, Nathaniel, «Moving Pictures: A Dance Photography Portfolio». Performing Arts Journal, 5, 1, (1980), pp. 34-47
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Photogenic acts / Qualls, Larry
Qualls, Larry, «Photogenic acts». Performing Arts Journal, 19, 1, (1997), pp. 118-122
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A collaborative methodology between photography and performance in ethnographically informed research / Hamer, Carla
Hamer, Carla, «A collaborative methodology between photography and performance in ethnographically informed research». Critical Arts, 30, 3, (2016), pp. 341-356
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Étienne Bertrand Weill, danseur d’images / Chiarelli, Cosimo
Chiarelli, Cosimo, «Étienne Bertrand Weill, danseur d’images». Ligeia, 113-116, 1, (2012), pp. 160-169
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Matters of Tact: Writing History from the Inside Out / Albright, Ann Cooper
Albright, Ann Cooper, «Matters of Tact: Writing History from the Inside Out». Dance Research Journal, 36, 1, (2004), pp. 11-26
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Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science / Coffman, Elizabeth
Coffman, Elizabeth, «Women in Motion: Loie Fuller and the "Interpenetration" of Art and Science». Camera Obscura, 17, 1, (2002), pp. 1-104
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Essencialidade, austeridade, silêncio / Guerreiro, Mónica
Guerreiro, Mónica, «Essencialidade, austeridade, silêncio». Sinais de Cena, 2, , (2004), pp. 18-21