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The “eternal return”: Self-portrait photography as a technology of embodiment / Jones, Amelia
Jones, Amelia, «The "eternal return": Self-portrait photography as a technology of embodiment». Signs; Chicago, 27, 4, (2002), pp. 947-978
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A Cyclopean, evil eye: on performance, gender and photography / Fischer, Barbara
Fischer, Barbara, «A Cyclopean, evil eye: on performance, gender and photography». Canadian Theatre Review, , 86, (1996), pp. 9-14
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Reading Publicity Photographs through the Elizabeth Robins Archive: How Images of the Actress and the Queen Constructed a New Sexual Ideal / Bonapfel, Elizabeth M.
Bonapfel, Elizabeth M., «Reading Publicity Photographs through the Elizabeth Robins Archive: How Images of the Actress and the Queen Constructed a New Sexual Ideal». Theatre Survey, 57, 1, (2016), pp. 109-131
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Women in Motion: Loie Fuller and the “Interpenetration” of Art and Science / Coffman, Elizabeth
Coffman, Elizabeth, «Women in Motion: Loie Fuller and the "Interpenetration" of Art and Science». Camera Obscura, 17, 1, (2002), pp. 1-104
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The Focal Press Companion to the Constructed Image in Contemporary Photography
Shindelman, Marni; Massoni, Anne Leighton, The Focal Press Companion to the Constructed Image in Contemporary Photography, Routledge, 2018 Abstract This compendiumexamines the choices, construction, inclusions and exemptions, and expanded practices involved in the process of creating a photograph. Focusing Other data Number of pages: ISBN: 978-1-315-64780-7 ISSN: DOI: URL: https://www.taylorfrancis.com/books/e/9781315647807 Language: EN key: FH47HVL4
