Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Photography on Stage

    The Pixelated Revolution / Mroué, Rabih; Nawfal, Ziad; Martin, Carol

    Mroué, Rabih; Nawfal, Ziad; Martin, Carol, «The Pixelated Revolution». TDR: The Drama Review, 56,  3, (2012), pp. 18-35

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  • Photography on Stage

    Ibsen’s The Wild Duck, Life-Lies, and Photography / Han, Boon Young

    Han, Boon Young, «Ibsen's The Wild Duck, Life-Lies, and Photography». The Explicator, 73,  3, (2015), pp. 173-176

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  • Performed Photography,  Photography on Stage

    A Meditation on Stillness: Ann Carlson’s Picture Jasper Ridge / Vittori, Giulia

    Vittori, Giulia, «A Meditation on Stillness: Ann Carlson's Picture Jasper Ridge». TDR: The Drama Review, 60,  2, (2016), pp. 83-102

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  • Performativity of photography,  Performed Photography,  Stage Photography

    Archival Theatre: Place and Performance in Early Twentieth-Century London / Robinson, Jennifer Claire

    Robinson, Jennifer Claire, «Archival Theatre: Place and Performance in Early Twentieth-Century London». Early Popular Visual Culture, 14,  1, (2016), pp. 16-54

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  • Performed Photography,  Photography on Stage

    Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements’s and Rita Leistner’s The Edward Curtis Project / Vellino, Brenda

    Vellino, Brenda, «Restaging Indigenous-Settler Relations: Intercultural Theatre as Redress Rehearsal in Marie Clements's and Rita Leistner's The Edward Curtis Project». Theatre Research in Canada/Recherches Théâtrales au Canada, 38,  1, (2017), pp. 92-111

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  • Performed Photography,  Photography on Stage

    Encountering: The Conceptual Body, or a Theory of When, Where, and How Art “Means” / Jones, Amelia

    Jones, Amelia, «Encountering: The Conceptual Body, or a Theory of When, Where, and How Art "Means"». TDR: The Drama Review, 62,  3, (2018), pp. 12-34

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  • Performed Photography,  Photography on Stage

    The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time / Coppens, Jeroen

    Coppens, Jeroen, «The Image as an Event: The Lives of Images in M.#/0 Marseille and So Little Time». Forum Modernes Theater, 30,  1, (2019), pp. 47-59

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  • Photography on Stage,  Stage Photography

    VB54: Black Tie vs. Black Face / Westcott, James

    Westcott, James, «VB54: Black Tie vs. Black Face». TDR: The Drama Review, 49,  1, (2005), pp. 114-118

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  • Performed Photography

    Look At Me: Self-Portrait Photography After Cindy Sherman / Dalton, Jennifer

    Dalton, Jennifer, «Look At Me: Self-Portrait Photography After Cindy Sherman». PAJ: A Journal of Performance and Art, 22,  3, (2000), pp. 47-56

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  • Performed Photography,  Photography on Stage

    Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi / Bacalzo, Dan

    Bacalzo, Dan, «Portraits of Self and Other: SlutForArt and the Photographs of Tseng Kwong Chi». Theatre Journal, 53,  1, (2001), pp. 73-94

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