-
‘Individual Mythologist’: Vulnerability, Generosity, and Relationality in Ulay’s Self-Imaging / Jones, Amelia
Jones, Amelia, «‘Individual Mythologist’: Vulnerability, Generosity, and Relationality in Ulay’s Self-Imaging». Stedelijk Studies, #3, , (2015), pp. 16
-
Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance / Ayerbe, Nerea; Ayerbe, Nerea
Ayerbe, Nerea; Ayerbe, Nerea, «Documenting the Ephemeral: reconsidering the idea of presence in discussions on performance». Revista Brasileira de Estudos da Presença, 7, 3, (2017), pp. 551-572
- Uncategorised
The Anti-photographers / Foote, Nancy
Foote, Nancy, «The Anti-photographers». Artforum, 15, 1, (1976), pp.
-
Performing the moment. (Essay) / Olson, Marisa S.
Olson, Marisa S., «Performing the moment. (Essay)». Afterimage, 30, 1, (2002), pp. 4
- Uncategorised
Editorial Comment: Theatre, Performance, and Visual Images / Tompkins, Joanne
Tompkins, Joanne, «Editorial Comment: Theatre, Performance, and Visual Images». Theatre Journal, 69, 4, (2017), pp. xi-xv
-
Theater Is Media: Some Principles for a Digital Historiography of Performance / Bay-Cheng, S.
Bay-Cheng, S., «Theater Is Media: Some Principles for a Digital Historiography of Performance». Theater, 42, 2, (), pp. 27-41
-
Pro-photographic Gestures / Anderson, Joel; Leister, Wiebke
Anderson, Joel; Leister, Wiebke, «Pro-photographic Gestures». Photography and Culture, 11, 2, (2018), pp. 229-235
-
Documenting Performance. Practice and Theories of Display / Parrott, Jack
Parrott, Jack, «Documenting Performance. Practice and Theories of Display». , , , (2014), pp. 13
- Uncategorised
Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma / Balme, Christopher B.
Balme, Christopher B., «Interpreting the Pictorial Record: Theatre Iconography and the Referential Dilemma». Theatre Research International, 22, 03, (1997), pp. 190-201
- Uncategorised
Afterword: The Uses of theatrical Photographs / Lane, Harry
Lane, Harry, «Afterword: The Uses of theatrical Photographs». Canadian Theatre Review, , 116, (2003), pp. 54-56
