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Também foi assim que as coisas se passaram / Lança, Marta
Lança, Marta, «Também foi assim que as coisas se passaram». Sinais de Cena, , I, (2016), pp. 64-74
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Descer até ao fundo, onde está o escuro / Wasterlain, Hélder
Wasterlain, Hélder, «Descer até ao fundo, onde está o escuro». Sinais de Cena, 13, , (2010), pp. 96-98
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Da nossa necessidade de imagens / Costa, Emília
Costa, Emília, «Da nossa necessidade de imagens». Sinais de Cena, 16, , (2011), pp. 107-109
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Teatro Aberto, quarenta anos de imagens / Figueiredo, Filipe; Magalhães, Paula
Figueiredo, Filipe; Magalhães, Paula, «Teatro Aberto, quarenta anos de imagens». Sinais de Cena, , II, (2017), pp. 169-184
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Bodies in Focus: Photography and Performativity in Post-Colonial Theatre / Gilbert, Helen
Gilbert, Helen, «Bodies in Focus: Photography and Performativity in Post-Colonial Theatre». Textual Studies in Canada, 10, 11, (1998), pp. 17-32
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Care-Full Photography : ‘I am not an artist’ / Cockburn, Rachel
Cockburn, Rachel, «Care-Full Photography : 'I am not an artist'». Performance Research; Abingdon, 22, 4, (2017), pp. 123-126
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The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter’s No Man’s Land / Marzola, Alessandra
Marzola, Alessandra, «The Unmasking of Clichés: Photographs and Memory on Stage in Harold Pinter's No Man's Land». GRAAT: Groupe de Recherches Anglo-Américaines de Tours, 16, , (1997), pp. 121-127
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Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells / Cairns, Jon
Cairns, Jon, «Ambivalent Intimacies: Performance and Domestic Photography in the Work of Adrian Howells». Contemporary Theatre Review, 22, 3, (2012), pp. 355
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La photographie au théâtre, XIXe-XXIe siècles
Joinnault, Brigitte, La photographie au théâtre, XIXe-XXIe siècles, Presses universitaires du Septentrion, Villeneuve d’Ascq 2021 Abstract La Photographie au théâtre proves that theatrical aesthetics have never ceased, for nearly 150 years, to be deeply influenced by the very existence of the photographic media, with its apparatus, its production processes, the flow of its images, its uses and techniques.,La Photographie au théâtre montre que les esthétiques et les imaginaires théâtraux ne cessent, depuis près de cent cinquante ans, d’être profondément travaillés par la photographie, avec ses techniques, ses appareils, ses processus de production, ses images, leurs usages et leurs circulations. Au fil de réflexions théoriques, d’analyses d’archives du dix-neuvième et de…
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A encenação: visão e imagens
Picon-Vallin, Béatrice, A encenação: visão e imagens, in , A arte do teatro: entre tradição e vanguarda - Meyerhold e a cena contemporânea, Teatro do Pequeno Gesto, Rio de Janeiro 2013, pp.
