Perphoto Biblio

  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
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    • Index Editorial Typology
    • Index Language
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  • All entries
  • Call for Entries
  • Focus
  • Themes
    • Stage Photography
    • Photography on Stage
    • Performed Photography
  • Index
    • Index Author
    • Index Names
    • Index Topics
    • Index Editorial Typology
    • Index Language
    • Topics
    • Index Location
    • Index Periods
  • All entries
  • Call for Entries
  • Focus
  • Performativity of photography

    Touching Photographs: Roland Barthes’s ”Mistaken” Identification / Olin, Margaret

    Olin, Margaret, «Touching Photographs: Roland Barthes's ''Mistaken'' Identification». Representations, 80,  1, (2002), pp. 99-118

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  • Stage Photography

    Reading Scenic Writing: Barthes, Brecht, and Theatre Photography / Carmody, Jim

    Carmody, Jim, «Reading Scenic Writing: Barthes, Brecht, and Theatre Photography». Journal of Dramatic Theory and Criticism, ,  , (1990), pp. 25-38

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  • Stage Photography

    Never Mere Observation: Performance, Technology, and the Act of Looking

    Krauter, Sarah G. Marsh, «Never Mere Observation: Performance, Technology, and the Act of Looking». Ph.D., , Ann Arbor, United States 2017 Abstract Herbert Blau, in defining the act of looking as “never mere observation”, describes how the action of the visual faculty is not simply about seeing, but the engagement in an active, circulatory exchange between culture and viewer. Never Mere Observation posits a dialectical relationship between spectatorship, performance, and emerging technologies. In this study, my aim is to track a pattern of ideas and use to assert the possible connections between the evolution of technology and the evolution of narrative structure. The biomechanical function of the act of looking…

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