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The performativity of performance documentation / Auslander, Philip
Auslander, Philip, «The performativity of performance documentation». PAJ: a Journal of Performance and Art, 28, 3, (2006), pp. 1-10
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Live and technologically mediated performance
Auslander, Philip, Live and technologically mediated performance, in Davis, Tracy C., The Cambridge Companion to Performance Studies, Cambridge University Press, Cambridge 2008, pp. 107-119
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Digital Liveness: A Historico-Philosophical Perspective / Auslander, Philip
Auslander, Philip, «Digital Liveness: A Historico-Philosophical Perspective». PAJ: A Journal of Performance and Art, 34, 3, (2012), pp. 3-11
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Reactivations: Essays on Performance and Its Documentation
Auslander, Philip, Reactivations: Essays on Performance and Its Documentation, University of Michigan Press, 2018 Abstract Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation…
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Liveness : Performance in a Mediatized Culture
Auslander, Philip, Liveness : Performance in a Mediatized Culture, Routledge, 2008 Abstract Liveness: Performance in a Mediatized Culture addresses what may be the single most important question facing all kinds of performance today. What is the status Other data Number of pages: ISBN: 978-0-203-93813-3 ISSN: DOI: URL: https://www.taylorfrancis.com/books/9780203938133 Language: en key: A2IQ6MQ7
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Reactivation: Performance, Mediatization and the Present Moment
Auslander, Philip, Reactivation: Performance, Mediatization and the Present Moment, in , Interfaces of Performance, Routledge, 2016, pp. 97-110