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CORPO, IMAGEM E PERFORMATIVIDADE NA FOTOGRAFIA
Lemos, Jessica Oliveira, «CORPO, IMAGEM E PERFORMATIVIDADE NA FOTOGRAFIA». , Universidade Federal de São João del Rei, 2019 Abstract Other data Number of pages: ISBN: ISSN: DOI: URL: Language: PT key: XFAJDCKE
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Mediated Presence: Performance Art and Technology
Khalifeh, Soulaf, «Mediated Presence: Performance Art and Technology». , , Abstract The whole tendency of modern communication whether in the press, in advertising or in the high arts is towards participation in a process, rather than the apprehension of concepts. And this major revolution, intimately linked to technology, is one whose consequences have not begun to be studied although they have begun to be felt.” Recalling McLuhan’s words, this paper is an attempt to study the effects and consequences of technology and how it allowed performance artists greater flexibility in experimenting with space, time and representation, engaging in a social and institutional critique. The pertinent questions here are: how are…
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La photographie de théâtre en France depouis 1945
Meyer-Plantureux, Chantal, «La photographie de théâtre en France depouis 1945». , Paris III – Sorbonne, Paris 1989 Abstract La date de 1945, choisie comme point de depart de cette these, correspond a la naissance en france de ce que l’on pourrait appeler la photographie de mise en scene par opposition au portrait d’acteur qui representait la majeure partie de la production photographique ayant trait au theatre. Avec pres d’un demi-siecle de retard, la photographie de theatre, sous l’impulsion de roger pic, prenait enfin en compte l’avenement de la mise en scene. Trois grands courants se degagent entre 1945 et nos jours : celui des “photographes-historiens” qui se veulent des enregistreurs…
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Imagens de Gretta Sarfaty: fotografia, performance e gênero
Dimambro, Nadiesda, «Imagens de Gretta Sarfaty: fotografia, performance e gênero». Dissertação de Mestrado – MAC USP, Universidade de São Paolo, 2018 Abstract Esta pesquisa debruça-se sobre o acervo de arte conceitual do mac-usp, mais especificamente sobre as obras da artista Gretta Sarfaty (1947) entre os anos de 1975 e 1980. As fotografias e performances experimentais da artistas são compreendidas e analisadas à luz da crítica de arte feminista, propondo conexões com os contextos nacionais e internacionais. Em tempos de ditadura militar, Gretta Sarfaty explora os limites do corpo, engendrando crítica cultural aos padrões de beleza estabelecidos e às possibilidades subjetivas dadas ao feminino. Propõe-se, ainda, um panorama da formação de…
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Fotografia performática: encenação e presença na ação fotográfica
Wanderley, Olga, «Fotografia performática: encenação e presença na ação fotográfica». Dissertação de Mestrado, , Recife (Brasil) Abstract Esta pesquisa aborda as interseções entre a fotografia e a arte performática. Interessa-nos compreender os deslocamentos implicados à linguagem da performance ao incorporar o dispositivo fotográfico, seja como mecanismo de registro e geração de Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.academia.edu/38010544/Fotografia_perform%C3%A1tica_encena%C3%A7%C3%A3o_e_presen%C3%A7a_na_a%C3%A7%C3%A3o_fotogr%C3%A1fica Language: PT key: C8QBHSQP
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‘CINEMATOGRAPHIC’: AN EXPLORATION INTO THE PHOTOGRAPHIC TABLEAUX OF JEFF WALL AND GREGORY CREWDSON
Gerrie, Vanessa, «’CINEMATOGRAPHIC’: AN EXPLORATION INTO THE PHOTOGRAPHIC TABLEAUX OF JEFF WALL AND GREGORY CREWDSON». , , Abstract This dissertation will examine the ways in which two artists, Jeff Wall and Gregory Crewdson, use photography to create images that are cinematic not only aesthetically but technically. Their work allows us to identify a new kind of art photography. By placing their work within the context of the ÔPictures GenerationÕ of the 1970s we can see the evolution and the emergence of this photographic regime. The Pictures Generation of the 1970s and 1980s saw a shift in what was known as art photography. From the 1970s onwards artists such as Jeff…
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Photo-performance: a study of the performativity of butoh dance photography
Bieszczad-Roley, Karolina, «Photo-performance: a study of the performativity of butoh dance photography». Ph.D., , Ann Arbor, United States 2010 Abstract This thesis analyses the detailed performativity and the intuitive act of photographing the Japanese dance form Butoh. It argues that the photographer’s embodied experience constitutes an ‘inner’ performance and introduces new terms: the photo-performance and the photo-actor. The author argues that the photo-performance, similarly to Butoh dance, manifests itself not only in physically apparent (visually perceived) movements but also within the multi-modal pre-reflective consciousness of the reciprocal interaction between the photo-actor and a Butoh dancer.Butoh has been widely photographed since it began in 1959 in Japan. However studies formalising the…
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Body, Camera, Action: Understanding the Metamorphosis of Performance Art in Japan
Melnikova, Daria, «Body, Camera, Action: Understanding the Metamorphosis of Performance Art in Japan». Ph.D., , Ann Arbor, United States 2018 Abstract This dissertation is a study of the specific medium “performance art” (pafōmansu āto) in Japan, situated in the transnational and comparative context of the 1960s and the 2010s. Extensively drawing on the art criticism of Akiyama Kuniharu, Ishiko Junzō, Sawaragi Noi, Tōno Yoshiaki, Tone Yasunao, and Yoshida Yoshie, this research investigates the discursive space of performance that constructs a multiplicity of historical terms such as happenings, events, festivals, spectacle. In the 1960s, the fashion of happenings (initially coined by American artist Allan Kaprow) spread outside of artistic institutions such…
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Circulating the event: the social life of performance documentation, 1965–1975
Santone, Jessica Lynne, «Circulating the event: the social life of performance documentation, 1965–1975». Ph.D., , Ann Arbor, United States 2011 Abstract This dissertation reevaluates the relationship between performance acts and documents by considering the way documentation was understood within the time of an event. Expanding on Alain Badiou’s theory of evental ‘Twoness’ in Being and Event, I develop an approach to performance that always takes documents and performance acts together, as corresponding producers of an art event. Looking at acts and documents together, one notices how the type of repetition enacted between them allows for variation and novelty in an event. One important implication of this approach is a stronger…
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Regenerating the Live: The Archive as the Genesis of a Performance Practice
Dunne-Howrie, Dr Joseph, «Regenerating the Live: The Archive as the Genesis of a Performance Practice». , , Abstract My PhD thesis examines how a performance that integrates documentation into it’s dramatrugy can engender a type of participation that stretches the theatrical event into an open-ended discourse between audiences. Other data Number of pages: ISBN: ISSN: DOI: URL: https://www.academia.edu/15029631/Regenerating_the_Live_The_Archive_as_the_Genesis_of_a_Performance_Practice Language: EN key: 6DTZWQG6
