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Ruth Berlau : Fotografin an Brechts Seite
Meyer, Grischa; Runge, Manuela, Ruth Berlau : Fotografin an Brechts Seite, Propyläen, München 2003 Abstract Other data Number of pages: ISBN: 3-549-07206-6 ISSN: DOI: URL: Language: key: 6CARRVKR
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Tableaux vivants : fantaisies photographiques victoriennes (1840-1880)
Bajac, Quentin, Tableaux vivants : fantaisies photographiques victoriennes (1840-1880), Réunion des musées nationaux, Paris 1999 Abstract Other data Number of pages: ISBN: 2-7118-3866-8 ISSN: DOI: URL: Language: FR key: 49SZWTX7
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Ballet
Brodovitch, Alexey, Ballet, Errata Editions, New York, NY 2011 Abstract Other data Number of pages: 142 ISBN: 978-1-935004-22-6 978-1-935004-23-3 ISSN: DOI: URL: Language: EN key: MCN2KQ6M
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Et que dit ce silence ? la rhétorique du visible
Surgers, Anne, Et que dit ce silence ? la rhétorique du visible, Presses Sorbonne nouvelle, Paris 2007 Abstract Before writing became the medium of thought and knowledge, image was an essential mean of discourse transmission. And What Does This Silence Say? is a tool for the reading and translation of this silent language: that of painting, architecture or stage design, when the image still constituted an autonomous discourse and not simply an illustration of the word. This volume is presented as a dictionary. Its reader selects his paths following his questionings and desires: is he interested by a rhetorical term’s meaning? Or by its use? Does he want to assess…
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Fotografia e teatralità: atti della giornata di studi San Miniato 21 ottobre 2006
Agus, Massimo; Chiarelli, Cosimo, Fotografia e teatralità: atti della giornata di studi San Miniato 21 ottobre 2006, Titivillus, Pisa 2007 Abstract Photography and theatre represent two distinct yet closely neighboring worlds. They live in a perennial state of contradiction: the theatre, which is consumed in its making and is renewed with each performance, in photography seems to deny its profound transitory nature; when photography appears in the space of the theatre, it betrays its vocation to reality, and becomes contaminated with fiction. Yet, beyond this apparent irreconcilability, or perhaps thanks to it, thetre and photography have, throughout history, formed a dense, problematic but extremely rich in stimuli and applications relationship…
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Imaginário familiar – linha de tempo
Dinis, Tânia, Imaginário familiar – linha de tempo, in , Atos de Intimidade: cartografias para uma prática artística, , Porto 2020, pp.
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A encenação: visão e imagens
Picon-Vallin, Béatrice, A encenação: visão e imagens, in , A arte do teatro: entre tradição e vanguarda - Meyerhold e a cena contemporânea, Teatro do Pequeno Gesto, Rio de Janeiro 2013, pp.
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‘Here Apparent’: Photography, History, and the Theatrical Unconscious
Hodgdon, Barbara, 'Here Apparent': Photography, History, and the Theatrical Unconscious, in Pechter, Edward, Textual and Theatrical Shakespeare: Questions of Evidence, University of Iowa Press, 1996, pp. 181-209
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Resisting Arrest. Imagining Motion in Film and Photography
Hornby, Louise, Resisting Arrest. Imagining Motion in Film and Photography, in , Still modernism: photography, literature, film, Oxford University Press, New York, NY 2017, pp.
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Shards of a History of Performance Art: Pollock and Namuth through a Glass, Darkly
Phelan, Peggy, Shards of a History of Performance Art: Pollock and Namuth through a Glass, Darkly, in Phelan, James; Rabinowitz, Peter J., 468230, Blackwell Publishing, 2005, pp. 499-512
