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Photography as Performance : Message through Object and Picture
Briers, David; Arefin, Tony; Paley, Maureen; Butler, Susan; Briers, David; Arefin, Tony; Arefin, Tony; Paley, Maureen; Paley, Maureen; Butler, Susan, Photography as Performance : Message through Object and Picture, Victoria Miro, London, England 1986 Abstract Both the transcription of a discussion and an essay examine the development of the relationship between photography and performance. Works selected range from documentary to staged photography. Other data Number of pages: ISBN: 978-0-907797-28-9 ISSN: DOI: URL: https://e-artexte.ca/id/eprint/987/ Language: en key: AYBZRGDB
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Image Photograph
Lafia, Marc, Image Photograph, punctum books, Brooklyn, NY 2015 Abstract We no longer live in the society of the spectacle, passively seeing the world. Now we perform our very own spectacle in a society that demands it at every turn. We’ve become advertisements of ourselves, our own PR agents, continually putting on a performance and measuring it hour by hour. This is no longer the society of the spectacle but the society of performance. All events have become a pretense to create the image, to orchestrate an image of images that is us. We believe the image confers on us a kind of immortality: just as the artist believes her…
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True Fictions: Visionary Photography from the 70s to the Present
Guadagnini, Walter, True Fictions: Visionary Photography from the 70s to the Present, Silvana, 2021 Abstract Il volume è dedicato al fenomeno della staged photography, la tendenza che a partire dagli anni ottanta ha rivoluzionato il linguaggio fotografico. Attraverso oltre cento opere, il volume racconta come la fotografia abbia saputo raggiungere tra la fine del XX e gli inizi del XXI secolo vertici di fantasia e di invenzione prima affidate quasi esclusivamente al cinema e alla pittura. Pesci rossi che invadono le stanze, cascate di ghiaccio nei deserti, città inventate, Marilyn Monroe e Lady D. che fanno la spesa insieme: tutto questo può accadere grazie a veri e propri set cinematografici…
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Iconografia Teatral: acervos fotográficos de Walter Pinto e Eugénio Salvador
Chiaradia, Filomena, Iconografia Teatral: acervos fotográficos de Walter Pinto e Eugénio Salvador, Funarte, Rio de Janeiro 2011 Abstract Other data Number of pages: ISBN: ISSN: DOI: URL: Language: key: N54HGSFV
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Teatro e Imagens: actas / 1º Encontro OPSIS – Base Iconográfica de Teatro em Portugal
Brilhante, Maria João; Magalhães, Paula; Figueiredo, Filipe, Teatro e Imagens: actas / 1º Encontro OPSIS – Base Iconográfica de Teatro em Portugal, Colibri / Centro de Estudos de Teatro – Faculdade de Letras da Universidade de Lisboa, Lisboa 2011 Abstract Other data Number of pages: ISBN: 978-898-689-241-8 ISSN: DOI: URL: Language: EN/IT/PT key: RMGX5YJI
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Photography as Fiction
Garcia, Erin C., Photography as Fiction, Getty Publications, The J. Paul Getty Museum, Los Angeles 2010 Abstract Other data Number of pages: ISBN: 978-1-60606-031-5 ISSN: DOI: URL: Language: EN key: MQ9J6EGL
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Art beyond representation: the performative power of the image
Bolt, Barbara, Art beyond representation: the performative power of the image, I.B. Tauris, London ; New York 2004 Abstract Other data Number of pages: 209 ISBN: 978-1-85043-410-8 978-1-85043-411-5 ISSN: DOI: URL: Language: EN key: XMWLGTMA
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The Theatre of Photography
Anderson, Joel; Leister, Wiebke, The Theatre of Photography, Taylor and Francis, 2018 Abstract Monographic issue of the journal “Photogrpahy and Culture” dedicated to Theatre and Photography. Taking as a starting point the opposition of this journal’s title, this introduction takes the form of a dialogue that is also an encounter between photography and theatre, a vantage point from which conceptual frameworks can be challenged and even collapsed. In the domains of photography and of theatre, much is made of artifice, authenticity, likeness, and liveness. Photography criticism has often emphasized the possibility or impossibility of veracity, the truthfulness or deceptiveness of photographs, with performance seemingly offering one escape route. Theatre, from…
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Moving Images, Moving Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts
Avram, Horea, Moving Images, Moving Bodies : The Poetics and Practice of Corporeality in Visual and Performing Arts, Cambridge Scholars Publishing, 2018 Abstract The book comprises a series of contributions by international scholars and practitioners from different backgrounds researching in the fields of contemporary visual culture and performance studies. This collection addresses the issue of corporeality as a discursive field (which asks for a “poetics”), and the possible ways in which technology affects and is affected by the body in the context of recent artistic and theoretical developments. The common denominator of the contributions here is their focus on the relationship between body and image expressed as the connection between…
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Acting the Part : Photography as Theatre
PAULI, Lori; WEISS, Marta; THOMAS, Ann; HENRY, Karen, Acting the Part : Photography as Theatre, Musée des beaux-arts du Canada / National Gallery of Canada / Merrell Publishers, Ottawa / London 2006 Abstract “Since the earliest days of photography, artists have directed models posing before the camera and, through the use of theatrical props, costumes, and lighting, have created “staged” photographs that tell a story. Acting the Part is the first major history of this enduring and highly creative branch of photography. Analysing key works, from Hippolyte Bayard’s 1840’s self-depiction as a suicide by drowning to Man Ray’s 1923 portrait of Marcel Duchamp posing as his alter ego Rrose Sélavy,…
