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“Touching the body: performance, photography and print / Tocar el cuerpo: performance, fotografía y página impresa”, / Diego, Juan Albarrán
Diego, Juan Albarrán, «"Touching the body: performance, photography and print / Tocar el cuerpo: performance, fotografía y página impresa”,». Exit, , nº 69, (2018), pp.
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Notes on the Documentarity of Theatre Atelier Photography / Kędziora, Alicja
Kędziora, Alicja, «Notes on the Documentarity of Theatre Atelier Photography». ZARZĄDZANIE W KULTURZE, 13, 4, (2012), pp. 341-350
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I fotografi della Duse / Zannier, Italo
Zannier, Italo, «I fotografi della Duse». , , , (2001), pp. 1-5
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Motion! On how to deal with the paradox in dance photography / Vanvolsem, Maarten
Vanvolsem, Maarten, «Motion! On how to deal with the paradox in dance photography». image and narrative, , 23 - Novembre 2008, (2008), pp.
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Melodramatic gesture in Carte-de-Visite photographs / Senelick, Laurence
Senelick, Laurence, «Melodramatic gesture in Carte-de-Visite photographs». Theater, 18, 2, (1987), pp. 5-13
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Performance and Photography: Conversations with Vera Tenschert and Margarita Broich / Setje-Eilers, Margaret
Setje-Eilers, Margaret, «Performance and Photography: Conversations with Vera Tenschert and Margarita Broich». Brecht Yearbook, , 37, (2012), pp. 133-160
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Pierrot photographe / Hamon, Philippe
Hamon, Philippe, «Pierrot photographe». Romantisme, 29, 105, (1999), pp. 35-43
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Afterword: The Uses of theatrical Photographs / Lane, Harry
Lane, Harry, «Afterword: The Uses of theatrical Photographs». Canadian Theatre Review, , 116, (2003), pp. 54-56
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La photographie de théâtre : les images échouent toujours / Villeneuve, Rodrigue
Villeneuve, Rodrigue, «La photographie de théâtre : les images échouent toujours». L'Annuaire théâtral: revue québécoise d’études théâtrales, , 17, (1995), pp. 69–80
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Performing for the camera
Baker, Simon, Performing for the camera, Tate Publishing, London 2016 Abstract The book examines three distinct strands of photographic practice: the documentation of performance works, by artists such as Yves Klein, Yayoi Kusama and Merce Cunningham; how performers and photographers have worked collaboratively, such as Nadar and the mime artist Charles Deburau, or Eikoh Hosoe and the choreographer Tatsumi Hijikata; and the work of photographers who have a strong performative element to their practice, such as Charles Ray, Boris Mikhailov and Erwin Wurm. It further explores the construction of self-identity in the work of artists such as Samuel Fosso, Lee Friedlander, Tomoko Sawada, Cindy Sherman and Andy Warhol, as well…