-
Cruzamentos históricos: teatro e tecnologias de imagem / Isaacsson, Marta
Isaacsson, Marta, «Cruzamentos históricos: teatro e tecnologias de imagem». Artcultura, 13, 23, (2011), pp. 7-22
-
Touching to See / Arnaud, Jean
Arnaud, Jean, «Touching to See». October, 114, , (2005), pp. 5-16
-
The Speed of Broken Light: A meditation on duration and performance / Hiebert, Ted
Hiebert, Ted, «The Speed of Broken Light: A meditation on duration and performance». Performance Research, 17, 5, (2012), pp. 82-91
-
(Re)marking the Overlooked or Stanislavski’s Napkin / Melrose, Susan
Melrose, Susan, «(Re)marking the Overlooked or Stanislavski's Napkin». Performance Research, 6, 2, (2001), pp. 4-19
-
Theatrical Photography, Photographic Theatre and the Still the Photography of Sophie Moscoso at the Théâtre Du Soleil / Anderson, Joel
Anderson, Joel, «Theatrical Photography, Photographic Theatre and the Still the Photography of Sophie Moscoso at the Théâtre Du Soleil». About Performance; Sydney, , 8, (2008), pp. 163-178,231
-
Nature’s dream play: Modes of vision and August Strindberg’s re-definition of the theatre / Szalczer, Eszter
Szalczer, Eszter, «Nature's dream play: Modes of vision and August Strindberg's re-definition of the theatre». Theatre Journal; Baltimore, 53, 1, (2001), pp. 33-52
-
Image and Performance / Yang, William; Lo, Jacqueline
Yang, William; Lo, Jacqueline, «Image and Performance». About Performance; Sydney, , 8, (2008), pp. 125-139,233,235
-
Gina Pane’s Witnesses / Blessing, Jennifer
Blessing, Jennifer, «Gina Pane's Witnesses». Performance Research, 7, 4, (2002), pp. 14-26
-
Theatre as Post-Operative Follow-up: The Bougainville Photoplay Project / Dwyer, Paul
Dwyer, Paul, «Theatre as Post-Operative Follow-up: The Bougainville Photoplay Project». About Performance; Sydney, , 8, (2008), pp. 141-160,231
-
Oracular Practice, Crip Bodies and the Poetry of Collaboration / Kuppers, Petra
Kuppers, Petra, «Oracular Practice, Crip Bodies and the Poetry of Collaboration». About Performance; Sydney, , 8, (2008), pp. 67-89,232
