All Entries - Perphoto Biblio

Ruth Berlau : Fotografin an Brechts Seite

Meyer, Grischa; Runge, Manuela, Ruth Berlau : Fotografin an Brechts Seite, Propyläen, München 2003 Abstract Other data Number of pages: ISBN: 3-549-07206-6 ISSN: DOI: URL: Language: key: 6CARRVKR
Stillness and time : photography and the moving image

Green, David May; Lowry, Joanna, Stillness and time : photography and the moving image, Photoworks / Photoforum, Brighton 2006 Abstract Other data Number of pages: ISBN: ISBN: 1903796180 (pbk.) ; 9781903796184 (pbk.) ISSN: DOI: URL: Language: key: V485BSWY
Tableaux vivants : fantaisies photographiques victoriennes (1840-1880)

Bajac, Quentin, Tableaux vivants : fantaisies photographiques victoriennes (1840-1880), Réunion des musées nationaux, Paris 1999 Abstract Other data Number of pages: ISBN: 2-7118-3866-8 ISSN: DOI: URL: Language: FR key: 49SZWTX7
Ballet

Brodovitch, Alexey, Ballet, Errata Editions, New York, NY 2011 Abstract Other data Number of pages: 142 ISBN: 978-1-935004-22-6 978-1-935004-23-3 ISSN: DOI: URL: Language: EN key: MCN2KQ6M
Et que dit ce silence ? la rhétorique du visible

Surgers, Anne, Et que dit ce silence ? la rhétorique du visible, Presses Sorbonne nouvelle, Paris 2007 Abstract Before writing became the medium of thought and knowledge, image was an essential mean of discourse transmission. And What Does This Silence Say? is a tool for the reading and translation of this silent language: that of…
Resisting Arrest. Imagining Motion in Film and Photography

Hornby, Louise, Resisting Arrest. Imagining Motion in Film and Photography, in , Still modernism: photography, literature, film, Oxford University Press, New York, NY 2017, pp.
‘Here Apparent’: Photography, History, and the Theatrical Unconscious

Hodgdon, Barbara, ‘Here Apparent’: Photography, History, and the Theatrical Unconscious, in Pechter, Edward, Textual and Theatrical Shakespeare: Questions of Evidence, University of Iowa Press, 1996, pp. 181-209
Shards of a History of Performance Art: Pollock and Namuth through a Glass, Darkly

Phelan, Peggy, Shards of a History of Performance Art: Pollock and Namuth through a Glass, Darkly, in Phelan, James; Rabinowitz, Peter J., 468230, Blackwell Publishing, 2005, pp. 499-512
Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder

Pereira, Anabela, Self-representation as a performative act of the body: Absence-presence disruptions and aporias in the works of Helena Almeida and Jorge Molder, in Vicente, Gustavo, Intensified Bodies from the Performing Arts in Portugal, Peter Lang, Bern, Switzerland 2017, pp. 229-266
A encenação: visão e imagens

Picon-Vallin, Béatrice, A encenação: visão e imagens, in , A arte do teatro: entre tradição e vanguarda – Meyerhold e a cena contemporânea, Teatro do Pequeno Gesto, Rio de Janeiro 2013, pp.
Imaginário familiar – linha de tempo

Dinis, Tânia, Imaginário familiar – linha de tempo, in , Atos de Intimidade: cartografias para uma prática artística, , Porto 2020, pp.
L’héroïsme par l’image : Sarah Bernhardt et Eleonora Duse entre vie et théâtre

Guardenti, Renzo, L’héroïsme par l’image : Sarah Bernhardt et Eleonora Duse entre vie et théâtre, in Bara, Olivier; Pellois, Anne; Losco-Lena, Mireille, Les Héroïsmes de l’acteur au XIXe siècle, Presses Universitaires de Lyon, Lyon 2014, pp. 217-230
Introduction: the pirouette, detour, revolution, deflection, deviation, tack, and yaw of the performative turn

Davis, Tracy C., Introduction: the pirouette, detour, revolution, deflection, deviation, tack, and yaw of the performative turn, in Davis, Tracy C., The Cambridge Companion to Performance Studies, Cambridge University Press, 2008, pp. 1-8
Pictorial Shakespeare

Schoch, Richard W., Pictorial Shakespeare, in Wells, Stanley; Stanton, Sarah, The Cambridge Companion to Shakespeare on Stage, Cambridge University Press, 2002, pp. 58-75
Theatre Photograph and Representation

Virkki, Susanna, Theatre Photograph and Representation, in , Proceedings of the 20th International Academic Mindtrek Conference, Association for Computing Machinery, New York, NY, USA 2016, pp. 304–311
Reactivation: Performance, Mediatization and the Present Moment

Auslander, Philip, Reactivation: Performance, Mediatization and the Present Moment, in , Interfaces of Performance, Routledge, 2016, pp. 97-110
Characteristics of Visual and Performing Arts

Arlander, Annette, Characteristics of Visual and Performing Arts, in Biggs, Michael; Karlsson, Henrik, The Routledge Companion to Research in the Arts, Routledge, 2010, pp. 315-332
“Pocket theatres” to see at Soirées: Stereoscopic Photography and Theatre in Images

Madeira, Cláudia, “Pocket theatres” to see at Soirées: Stereoscopic Photography and Theatre in Images, in Flores, Victor, Book Proceedings Stereo & Immersive Media 2015 International Conference, Edições Universitárias Lusófonas, Lisboa, Portugal 2015, pp. 9-23
At the Cutting Edge. Interfaces Between Figure and Life

Smith, Bruce R., At the Cutting Edge. Interfaces Between Figure and Life, in , Shakespeare cut: rethinking cutwork in an age of distraction, Oxford University Press, Oxford ; New York, NY 2016, pp.
Reflexões sobre os primórdios da fotografia de teatro em Portugal

Figueiredo, Filipe, Reflexões sobre os primórdios da fotografia de teatro em Portugal, in Brilhante, Maria João; Figueiredo, Filipe; Magalhães, Paula, Teatro e Imagens, Colibri / Centro de Estudos de Teatro – Faculdade de Letras da Universidade de Lisboa, Lisboa 2011, pp. 85-98